Are you pulling back enough to gain perspective? + special February coaching prices

eagle on beach

Scroll down to learn about my special coaching prices this month, in celebration of the Lunar New Year!

One thing about my many, many years of journal-keeping is that certain patterns — truths about the way I live my life, the behaviors I resort to when I’m under stress — show up with (sometimes frightening) regularity on my quickly-scrawled pages.

One of these truths about myself, which I don’t necessarily like but am coming to terms with, is that I have a tendency to keep moving things ahead even when they’re not working.

It makes me feel virtuous to check off my daily to-do list, to be there for others, to get things done that feel hard. And, I also truly love these things — when they feel deeply right.

But sometimes, I have a creeping sensation that something isn’t quite right, and, in the interest of getting my work done for the day, I don’t actually step back and ask: Is this work, you know, working? Is doing this stuff contributing to what I desire in the long run?

I had a conversation with a friend recently where I told her about this tendency of mine to keep hanging in there, to keep moving something ahead, even though it’s not necessarily working for me, even though I badly need to press the pause button.

And she said, “Wow, you know, I think of you in exactly the opposite way. You always remind me of how important it is to focus on what really matters and to take time out to be present.”

Ack. Apparently it’s true that we teach what we (desperately) need to learn.

The truth is, I’m a lot better at stepping back and focusing on the big picture than I used to be. In my younger years, I felt like I was constantly on fast-forward. I have no idea what I looked like to others, but I had a huge fear of stopping and looking around.

I became monumentally out of touch with my own feelings, and it was only an illness at twenty-five that really slapped me into the reality of what was true for me: I needed to stop pushing, to stop trying so hard to be there for others, and to allow myself to simply be. Not just once in a while, but as a regular practice.

But, it is always a process, and many years later I still get caught up in pushing myself forward when, in fact, what is required is a giant step back.

those icky patterns show up on the pages of my journal

those icky patterns show up on the pages of my journal

Obviously, moving things forward is vital, but the best way to do that is through what we coaches call inspired actionaction connected to what is in the best interests of our essential self — not simply action for the sake of it.

And this can be truly challenging when we live in a society that rewards us for taking lots of actions, for “just doing it.”

***

Last year, I made the painstaking decision to move into a smaller home. It’s a lot smaller. (I wrote about this journey here.)

It was a complicated situation, but a defining aspect of it was that I was expending a lot of physical, mental, and emotional energy trying to keep up a house that, in the long run, I just didn’t actually want to live in. In the final analysis, I had to admit I just didn’t care about the things that came with maintaining a house.

I would look around at friends and think, well, they do it. It’s worth it to them. And I’d wonder if there was something wrong with me that I wanted to go back to small apartment living, at my age.

But when I thought about moving into a small apartment, where upkeep would be minimal, where maintenance would be taken care of by someone else, where I could feel like each room and each object was well-used and appreciated, I felt all lit up inside. It was my truth, even if it wasn’t somebody else’s.

It took me a long time, though, to actually pull back from my daily existence enough to see this truth.

And it was care of the house, in part, that distracted me from the truth. Whenever I got everything else done, there was always snow to be shoveled, or leaves to be raked, or a flooded basement, or an attic fan that needed repairing. But isn’t this what you’re supposed to do? I’d think. Grow up and take care of a house?

***

Martha Beck, in her book Finding Your Own North Star, talks about the difference between “mouse vision” and “eagle vision”. Mouse vision takes care of the small details that help us get things done each day. Mouse vision is very important, because it is only through tiny, individual steps that we make our way to completing our “big things.”

Eagle vision, on the other hand, is about the big picture — it’s soaring above the landscape so we can get a sense of the whole scheme and notice what needs attending to, what needs to be let go of, and when we need to fly in a slightly (or dramatically) different direction.

It’s easy to get stuck in mouse vision. If you find yourself saying things like, “I can’t believe how the years are getting away from me,” it’s likely that mouse vision is a little too much at play in your life.

Something I’ve noticed while working on novel drafts (which I will get into more in a future post) is that it is really important to be able to flexibly switch between mouse vision and eagle vision in the creative process. Just like in my life, I’ve had a tendency to push my writing forward even when something nags at me, raising its little hand and saying, “Hey! Something’s not working here!”

It feels so virtuous to keep plugging along, to write more words, to check that off my to-do list! Who wants to pull back and look at the work as a whole? Do I get a gold star for doing that?

But it’s so necessary, in our lives as well as our creative work.

How do you know it’s time to pull back and embrace the big picture?

• You feel like you are drowning in the day to day. It feels like you’re just going from one thing to another, putting in the time.

• You feel disconnected from yourself, or your creative work.

• You find yourself getting really angry when you have to perform certain tasks. (When I was living in the house, there came a point where any time something broke — the dryer, the lock on the front door — I felt like I was ready to kill somebody. This kind of anger is a sure sign that something needs to change.)

• You start to get sick of hearing yourself complain about the same things, over and over.

The next step — as always! — is acceptance. This is where you are — and change is totally possible. What does a shift to a broader perspective reveal to you?

If you’re a little too entrenched in “mouse vision” and you’d like some support, I’m offering a package of three thirty-minute coaching sessions through Feb. 12 (this Friday). I don’t regularly offer thirty-minute sessions, so if this way of working with me appeals to you, I encourage you to check it out!

Also, through the end of this month, my 60-minute sessions and packages are at special prices in celebration of The Year of the Yang Fire Monkey! Find out more about this and my other coaching offerings here.

Eagle image © Cecilia Lim | Dreamstime Stock Photos

How time distortions keep you from getting things done

I love how this clock looks like it has cat ears.

I love how this clock looks like it has cat ears.

Here at the beginning of a new year, a curious phenomenon has arisen in the work I’ve been doing with my coaching clients. It comes down to this: what we believe about how long something will take is directly related to whether or not we actually do it.

These types of beliefs are time distortions, and a good example of this phenomenon comes from Seinfeld. There’s an episode where Jerry is trying to convince himself that it won’t be that bad staying for a few days with his parents in their Florida condo. To make the impending visit feel shorter, he tells himself that he can’t really count lunches and dinners and taking showers as part of the visit — so, actually, the whole visit will be “like fifteen minutes!”

Have you done this? I know I have. When we’re dreading something, our minds will go to all sorts of lengths to help us cope.

This is in some ways helpful and productive — I know there are experiences I would probably have never exposed myself to if I’d known in advance how hard and stressful they were going to be.

But my mind convinced me that “it wouldn’t be that scary.” In some cases, it was far scarier than I’d imagined, but in the end I was thrilled that I had the experience (so, thank you, dear mind!).

More commonly, though, our minds can protect us into not doing something at all (that we either want or need to do) with these types of distortions.

A client I worked with recently had not completed the “homework experiment” we’d set up for her. (I refer to any homework I give clients as an “experiment” rather than an “assignment” because approaching something as an experiment tends to engage more curiosity and less resistance. But not in this case!)

When we dug into why, it turned out that she’d been thinking the homework “would only take thirty minutes or so” and she could knock it out the night before our session. When we looked honestly at the homework, though, it was clear that she would need a minimum of three hours to do it.

So why had she decided it would only take about half an hour? Because she had a lot of resistance built up around doing it, and the only way she could bear to face it was to think that it would be over in a very short amount of time.

In this case, that meant she put it off until it simply didn’t get done. And I have a lot of compassion here, because I have SO done this.

Here’s another example, from a different client. She’d told a close friend she would run an errand for her, but hadn’t done it. For a month she’d been waking up thinking “I really need to do that today. I should do it.” Then she wouldn’t do it and the next day the whole cycle would repeat.

When we took a look at why she wasn’t doing the errand, another sort of time distortion revealed itself. She was certain the task was going to take hours and that it could become very complicated, and that she might have to get help to complete it that she wasn’t sure she could get.

I told my client that, while I could be wrong, to me it sounded like the task shouldn’t take more than about an hour to complete (and this included driving time). We looked at what would be the worst that could happen if, in fact, it did take her as long as she feared. “It would be really stressful and annoying,” she laughed.

But she agreed to go ahead and do it the next day. I told her to email me as soon as it was done and tell me how it had gone (this kind of check-in with someone who cares about you can be SO supportive!).

She emailed me way sooner than I’d expected to hear from her. Why? Because the task, including driving time, had taken her exactly 18 minutes — no complications, no extra help needed. Just straightforward driving to an office to pick up a folder and dropping it off at her friend’s house.

How do we keep ourselves from getting sucked into time distortions? Well, first we need to get our thinking about the task we’re avoiding out of our heads, where we can see it more clearly. It helps to write it down, or speak it aloud to yourself or someone else. (So often our thinking is automatic, bypassing our consciousness. We need to see it “out there” in order to be aware of it.)

If you notice there are time issues in your thinking (“I can write a draft of my chapter on the twenty-minute train ride”) and that you feel a considerable amount of anxiety with that thought, you can be pretty sure that what you’re telling yourself is deeply unhelpful. (We almost always avoid things because of the anxiety they bring up in us. If we can lessen the anxiety, we’re going to be far less likely to avoid them.)

So experiment with some mantras that will help you do a reality check when it comes to how long something will take. (Often, we just don’t know, and that needs to be factored in.)

Here are some of mine:

I won’t know how long it will truly take until I start doing it.

If it’s going to take a long time, I’d rather get started sooner than later. 

I want to feel as calm and grounded as possible around this action. What will help me feel that way?

All of these sentences give me a reality check. And for those of us with, shall we say, vibrant imaginations, reality checks can be a valuable part of our artist’s toolbox (as much as we might cringe at the idea of “mundane reality”!). As long as the reality check is supporting our bigger vision, it’s all to the good. 

What do you notice about how distortions of time play into your fears around getting things done? I’d love to hear from you.

And: Need some help moving your creative work forward in the new year? For a limited time, I’m offering three-packs of 30-minute coaching sessions. You can find out more, here.

Above image is “Old Distorted Clock,” © Jolin | Dreamstime Stock Photos

You only ever need to do one thing

christmasstar

Yesterday I was having one of those days where my mind spun with all that I was sure needed to be done. I sat at my kitchen table, staring out the window, trying frantically to access peace (as if “frantic” could ever be the way to peace).

There was so much I should be doing, surely, but it felt like there was so much that there was no point in starting — with such a huge to-do list, anything I did would only constitute a drop in the overflowing bucket of what must be done.

This is a familiar place I can go to when more than “the usual” is on my plate, and that’s the case for so many of us at the holidays. Even though I’ve made a conscious decision to do things more simply this year, I still travel for Christmas and, grrr — traveling? Not my favorite thing. I like being there, I just don’t like getting there.

As I backtracked and took a look at what I’d been thinking yesterday morning, I realized I was focused on the sheer hell that plane travel would surely be, and what a drag it is that every year I endure this, and how with everything going on in our world I have an extra layer of fear right now, and on and on.

And then I felt selfish and self-centered for not being able to be a “bigger person” and have gratitude that my parents are in good health and I have this opportunity to see them at the holidays.

This is a good example of what our minds tend to do (my mind is hardly unique in its patterns!). When we fixate on something we’ve decided will be unpleasant, reinforce the expected unpleasantness with fearful thoughts, and then judge ourselves for having the thoughts in the first place, we get into a vicious loop.

When we’re operating from that loop, it looks like only eliminating the circumstance we’re convinced is making us unhappy will restore our sanity — or, only making the exact “right choices” within that circumstance will keep us safe, secure, on steady or virtuous ground.

If feeling good is dependent on either eliminating circumstances or choosing the “correct” ones, we’re on a slippery slope. So much is out of our complete control, even in areas where we do have a good amount of legitimate power over what happens.

So when we approach our lives this way, it’s kind of like we’re either focused on the finish line, when the race will be over and (if we do it right) we’ll have won, or we’re looking for a way to bow out of the race altogether. But I don’t want to run! we think. Why does there have to be this stupid race?

As I sat obsessing about the “right way” to handle my commitments, I looked over at my boyfriend, who was sitting in a chair in the living room laughing heartily at something on TV.

How simple it is for him, I thought. He doesn’t analyze everything the way I do. He just does what needs to be done and doesn’t make a big thing out of it. (He would tell you this isn’t exactly true, but it was what I thought in the moment.)

And then I noticed the mostly blank wall behind him. Since we moved in August, I’d been meaning to hang pictures on that wall, but I kept telling myself it wasn’t important enough to take precedence over everything else I needed to do.

But, I realized, I wanted to hang those pictures. Of everything I could have been doing in that moment, hanging those pictures felt like something I wanted to do. And, looking at the mostly empty wall, I realized that hanging the pictures — only that — was all I was called to do in that moment.

Just that one thing.

Back in August, during that last chaotic week before I moved to my new home, my friend Mary Montanye asked me via email how the moving preparations were going, and I told her I was mega-overwhelmed. She responded that when she was in the process of moving, she’d found it helpful to “just take the next indicated step.”

Those words spurred me on like you wouldn’t believe (thank you, Mary!). And yesterday, hanging the pictures and admiring them afterward, noticing how much more it feels like home in the living room now that the pictures are up, my mind began to quiet itself.

pictureshung

Pictures are up!

I was reminded that all I ever need to do is one thing. No matter how big the project, how sprawling the to-do list, I only ever need to do one thing.

And here’s the trick: Only when I am in the process of doing that one thing am I able to see clearly that it is being engaged with the process that I crave, not getting to the finish line or eliminating the task.

When I am caught up in thinking about all that needs to be done, and not actually doing the one thing that presents itself, I am disconnected from the rewards of the process of doing. I believe that the only reward comes from “having done it”.

This is why when I hear people say things like, “I hate writing, but I love having written,” something in me cries, but that’s no way to live! If we can’t find ways to make the process rewarding, we’re forever focused on the finish line, and therefore missing most of our lives.

And the process looks like this: one thing, one thing, one thing. (And yes, sometimes our “one thing” CAN be eliminating, or rescheduling, something on our to-do list! The key is in taking the action, rather than obsessing over it.)

I’m curious about how this works for you, and particularly about how you might apply “just one thing” to anything you have planned for the holidays.

And if, like me, you’re an introvert who’s needing a little more comfort and simplicity at this time of year, you might want to check out this post that I wrote last year at holiday time.

Top image © Jessie Eldora Robertson | Dreamstime Stock Photos

Permission to do it differently + last day to grab an Autumn Transition coaching session

coffeebeans

Scroll down to learn more about my Autumn Transition Coaching Sessions — the deadline to sign up is today!

Sometimes (often) I get really, really attached to the way I’ve always done something.

Like, when I was in my twenties, I wrote in coffeehouses a few times a week. It worked really well for me. I loved the hum of activity around me and the human company. I loved watching people walk by the window and the bottomless-cup-of-coffee served by a particular place that I went to most often.

But by my late twenties, the coffeehouse writer thing wasn’t working for me so well. I found that I was too prone to socializing when I wrote in a coffeehouse, and that the socializing felt exhausting rather than enlivening as it had when I was younger. I also found that the bottomless-cup-of-coffee wasn’t good for my body, but if it was available, I was likely to succumb to it.

For a while, I kept on trying to write in coffeehouses. But it just didn’t feel the same as it had. It just didn’t work. How could what had worked for such a long time — and helped me create a solid writing practice — no longer be helpful?

The answer is, I don’t know. My hunch is that my journey as a writer, as a person — as me! — changed. I no longer needed the particular brand of community and company and ritual that I got from the coffeehouse writing experience — I still needed to experience those things, but in new ways, and I craved a quieter, more solitary connection to my writing and myself.

A friend of mine who is a frequent blogger and who also has another job used to crank out a blog post on her lunch break three to four times a week. For a long time, this worked really well for her. She committed to doing it and showed up and did it.

And then, over time, it began to not work so well. She felt empty and distracted when she showed up to write. She wondered if perfectionism was getting the best of her and she was just becoming too picky about her topics. She wondered if she’d run out of material. She figured if she could just push herself a little bit harder, she could keep making it work.

Then one day we were talking and she said that she’d realized her days of cranking out three to four blog posts a week while at her other job were over. Like me with the writing-in-coffeehouses thing, she’d kept on trying to do what worked before, but it no longer did.

It seems it’s a human tendency to hang on to “what once worked.” We do it with rituals, and relationships, and jobs, and rituals within relationships and jobs.

And I’ve come to realize that the important question to ask, sometimes, is not why is it no longer working like it did before? but why am I trying so hard to make it work like it did before?

Because so often what we actually need is not to figure out how to keep doing it the way we once did, but permission to do it differently.

My hunch is that much of this boils down to identity. Our rituals and routines and the things we’re able to achieve regularly contribute to our feeling of who we are. And when we begin to perceive that they’re not feeling so good anymore, we wonder who we are without them.

Eventually, I gave myself permission to do my writing at home — even though I was afraid it would be boring and tedious and that that meant I was becoming boring and tedious (oh, the things I worried about in my twenties!). And I discovered that the truth was something far, far different.

And my friend has found that it feels a lot better to write one blog post a week (and that she is shifting to new subject matter, which feels both exciting AND like she’s not quite sure who the heck she is right now, and, as we like to remind each other, that’s totally okay).

If you find yourself attempting to do something the way you always have and it’s just not working, what if you simply gave yourself permission to do it differently? What if it was totally okay to let go of that old routine and do something new? I’d love to hear how this works for you, in the comments.

And if you’re in the U.S., I wish you a very happy Thanksgiving, with much to give thanks for.

Also: Today is the last day to grab one of my low-cost Autumn Transition Coaching Sessions. These thirty-minute sessions are only $39, and the deadline to sign up is midnight Pacific Time tonight. If you’re experiencing a lot of change in your life right now and feeling stuck, scared, or just plain confused, I’d love to help. Find out more here.

Above image © Johanna Goodyear | Dreamstime Stock Photos

Avoiding the intimacy of creating

pensandpencils

Publishing this post today, my heart is heavy with the news of the horrible events in Paris. A prayer for love and kindness in the world, and for each of us to remember that it starts with the way we treat ourselves and those closest to us, and radiates outward.

As I’ve often noted here, I am a compulsive journaler and have been since my teen years. I don’t ever have to drag myself to my journal; in fact, I usually relish the expanse of the blank page there (this is not always, or even often, so for other forms of writing!).

Lately, though, I notice that while I go readily to my journal to write, I’m restless after a few minutes and it’s hard to stay there.

I’ve gone through these periods before, and they usually happen when I’m about to approach what I call “hardcore” journaling — meaning, there’s a lot that’s ready to come up, and I know it’s vital that I allow it to come up onto the page, but it’s not going to be easy. In fact, it’s going to be intense, and even draining. But it’s so worth it.

In this way, I compare journaling — or any kind of writing we do — to an athletic activity. We are building all kinds of muscles when we write regularly.

And this is true for any form of creative work (or play, as I prefer to call it!) that we do steadily. Doing it makes us stronger, more flexible, vaster — it widens our scope as human beings, as spiritual beings.

But sometimes, the process is especially tough and tender, as it has been for me lately in my journal.

Yesterday I was drawn to pull out Natalie Goldberg’s Thunder and Lightning, one of quite a few wonderful books she’s written on her writing life and process. In one chapter she describes leading a class in which she read to her students from Richard Nelson’s The Island Within. The writing was sinewy, alive, present, tender. And yet, she saw her students’ attention wandering; she saw them yawning and getting bored. How could this be happening when the writing was so alive?

The students, Goldberg realized, were resistant to the intimacy on the page. The writing was so there, it brought them so unflinchingly close to the subject, that they were afraid of that intimacy. They wanted to avoid it.

As someone who’s taken many writing classes and viewed them from the standpoint of both student and teacher, I’ve experienced this as well. There is something in us that is afraid of beauty, of aliveness, of what’s true — and, in our resistance to it, we feel tedium. We pull away.

When I was about twenty, I had a conversation with a guy in a coffeehouse that has always stuck with me. He talked about the book he was reading — it was a novel by Gabriel García Márquez, but I don’t remember which one — and he said, “You know, it’s a boring book. It tries my patience. I want to put it down a lot. But some of the most boring books I’ve ever read have been some of the best books I’ve ever read.”

This was a totally new idea to me at the time. I pondered what he meant for a while and I got it. He didn’t really mean that the whole of him thought the book was boring. He meant that the part of him that was afraid of being present, the part of him set on instant gratification, that part that just wanted to be distracted from itself, found the book tedious.

The whole of him felt compelled to finish the book — it knew something important was there for him — and, guided by his essential self and not his impatient instant-gratification-seeking self, he kept reading.

(A writing teacher of mine once said, “A ‘boring’ book is often a failing of the reader, not the writer.” Martha Beck talks about “the cultural pressure to seek excitement” here.)

There are so many challenges in this world to our staying with something. Anything. When I got an iPad several years ago, as much as I loved it, its built-in ease of use presented a huge test to my powers of concentration. Now, when I write, when I read, or even when I want to fully focus on a movie, I keep the iPad away from me. (Unless, of course, I’m reading or watching the movie on the iPad. A-hem.)

So how does this circle back to me and my journaling? I’ve been avoiding the intimacy of being with my own aliveness on the page. How crazy is that? Well, not crazy at all — actually, very human.

But I know I will stay with the journaling because I have been initiated into its magic. And the magic only comes when I stay with it.

Is this true for you and your creativity, whatever form it may take? Do you find yourself avoiding the intimacy that comes with staying present to yourself, to the world around you? I’d love to hear how you experience this, in the comments.

A few things I’m up to …

  • Reading Dog Medicine by Julie Barton, a beautifully-written memoir about a woman’s struggle with depression and how her bond with her dog helped her through it. It’s not an easy read by any means (I’ve cried through quite a bit of it), but having experienced first-hand the healing power of animals in my own journey, it’s helping me embrace my own story. Which, to me, is the most amazing thing writing can do.
  • Preparing to teach a class locally on supporting ourselves through the vulnerability and other rough stuff that comes with writing autobiographical material, a topic close to my heart.
  • Continuing my low-cost Autumn Transition Coaching Sessions (you can still grab one through Wednesday, Nov. 25). If you’re a sensitive creator who’s deep in transition and feeling stuck or scared, I’d love to help. Find out more here.

Image © Scarf_andrei | Dreamstime Stock Photos

The difference between “ready” and “comfortable”

gorgeous fall

Scroll down to find out about limited-time Autumn Transition Coaching Sessions. 

As I am settling into my new living space, I notice how satisfied I feel with this change. Being in this new place during the gorgeousness of fall, my favorite season, is lending a brisk beauty to this season of my life.

The other morning I was up with my cat at 4 a.m.  — he is a night prowler and shelf-climber, unfortunately (at least it’s unfortunate at that time of day). Even though it’s a drag to get up and monitor him at an insanely early hour, I often have insights at that time of day/night. (Isn’t 4 a.m. known as the witching hour? Hmm.)

The insight that came to me that morning was that, as with all the changes in my life that have felt most “right”, this move to a new home happened when I was ready for it, and not a moment before.

Now, what do I mean by “ready”?

There’s an idea out there in the world right now about “starting before you’re ready.” That if we wait to be “ready,” we’ll never begin.

I understand this concept, but my experience tells me something different. And I think it has to do with what is meant by “ready”.

I would say, “Start before you’re comfortable, but don’t start before you’re ready.”

For me, deep, true “readiness” has a feeling of acceptance attached to it.

With moving to this new home, for example, I wasn’t entirely happy about the change. For a long time after I began to perceive that it was going to be necessary for me to let go of my old home, I felt a lot of resistance to that idea.

About a year and a half before I made the move, I looked at apartments in the very building where I now live, and I had a feeling of wondering. Hmm, I wonder what it would be like to live here. I really like this street. I have a sense that I’d like to live here.

But: I was nowhere near ready to make a move at that point. My attachment to my old home was still so great that even thinking about a “real move” filled me with grief, exhaustion and overwhelm.

At that point, all I was ready for was wondering about where I might want to live next. The idea that I should be “more ready” to make a change than I actually was created lots of stress for me. (Funny how it’s always easier to see these things in retrospect.)

The shift for me came this past March or so, when I realized that even though things were still very much up in the air with my living situation and I was enduring frequent house showings, it felt right to simply be where I was. I stopped scrambling. I decided that despite the uncertainty of my situation, I was going to fully enjoy my home for as long as I had it.

And, from that place of full acceptance, I began to become truly, deeply ready to make a change. By June, my boyfriend and I had found our new home and we knew we would be moving in August.

But moving — despite feeling more truly ready for it — was not comfortable.

As I wrote previously, I had a ton of downsizing and letting go to do, on a number of levels. Aspects of that felt excruciating, not just from an emotional standpoint but from a logistical one.

And sometimes, in my new “streamlined” existence, I am still uncomfortable with the fact that I go looking for something that was part of my life for a long time and realize I donated it back in August. Or, now that my boyfriend and I do not have separate office rooms to go to, we sometimes feel on top of each other when we are trying to work. This change is not comfortable, even though I wanted it, I chose it.

pumpkintrio

Happy Halloween!

Another example: Back when I finished life coach training in 2011, a number of my fellow “cadets” began to go through the coaching certification process. My mind started in on a familiar loop: “Look at them! You’re falling behind. Hurry up and get certified!”

Luckily, my training had taught me to question my thoughts, and in doing that I realized that, deep in my bones, I was not ready to apply for certification. I wanted to do more coaching first. I wanted to “get” coaching at a deeper level before I went through the certification process so it would actually have meaning for me, rather than just feeling like a “should”.

This feeling came from a different place than the “never-quite-good-enough” thrust of perfectionism. It simply felt right to me to wait to get certified.

When I did go through the certification process, in November of 2011, I felt ready, but it was not comfortable. I still had all kinds of doubts and fears, but the way I knew I was ready was that I was not attached to the outcome. The process of certification was so “real” to me by this point that, even if I didn’t get certified, I knew what coaching meant to me, and I knew that I was a good coach. I’d walked coaching into my bones, and certification felt like a natural evolution of that process.

And, as it happened, certification went beautifully for me. But it wasn’t comfortable. I had all kinds of anxiety around it, but it was a different kind of anxiety than I would have had if I’d forced myself to go through the process six months earlier than I did, just as I would have had a different kind of discomfort around moving if I’d made myself do it a year earlier, just to end my discomfort!

(One of the most poignant things I’ve learned about humans since I became a coach is that, so often, in our hurry to end our discomfort, we create even more discomfort for ourselves. Then we look back and wonder what in the world we were thinking.)

What do you notice about the difference between the times you’ve felt “deeply ready” to make a change and the times you started too soon? Has being “ready” felt comfortable for you? I’d love to hear your experience.

Plus: In celebration of Halloween and the beauty of fall, I’ll be offering 30-minute Autumn Transition coaching sessions for just $39, now through November 25. If you find yourself in deep transition and not quite sure how to navigate your next step, I’d love to help. Find out more about Autumn Transition Coaching Sessions, here.

Above images © Jill Winski, 2015

Walking my talk about self-care + Happy Fall!

pumpkins15Maybe the hardest thing for me about going through a time of heightened activity (or, insanely heightened activity) is coming down from it all.

After the last couple of months of transitioning from my old home to the new one — and the accompanying “too much to do” feeling on a daily basis — things are starting to settle down just a bit.

And I’ve actually found myself at loose ends on certain days. My mind and body have gotten used to “too much to do.” It’s that “coming down from the adrenaline of momentum” feeling that I’ve written about before. The adrenaline that helps us to get through the period of heightened activity actually starts to feel normal to us.

This is where I can get into trouble if I don’t pay attention. Last week Saturday was the first day I really took an opportunity to fully catch my breath — and it felt wonderful. But the very next day, I noticed myself overscheduling and stuffing in activities here and there because, why not? I’ve gotten used to having too much on my plate.

And noticing this in myself clued me in to the fact that I’d fallen for it all over again — our culture’s glorification of “busy”.

Remember that saying, “If you need to get something done, give it to a busy person”? I heard that often from my parents and teachers when I was growing up, and again in college, and, heck, somebody just said it to me the other day.

And to a degree, being busy feels good and IS good, as long as we are occupied with things that are meaningful to us and notice our need to rest.

But there’s something insidious in the way we praise “busy”. We apologize for being “so busy”, and yet it also seems to give us some kind of quick validation. We’re busy, therefore we must be important, we must have value.

And: being super-busy also gives us a good reason to (finally) take a huge time-out and take care of ourselves.

But what if we didn’t need a “good” reason, or any reason at all? What if noticing our need to rest and then our need to be active and then our need to rest again, was simply part of our daily lives, part of our ongoing self-care? What if this kind of self-care was a must, a foundation for our lives, rather than something we have to hit a (sometimes very painful) wall to finally allow in?

For the past several months, I’ve been leading clients through my Stellar Self-Care program, which I created because I recognized that far too few of us truly anchor self-care into our lives at the foundational level. We wait until we’re in so much physical, mental or emotional pain that we simply can’t ignore the part of us that, ultimately, cannot be denied if we actually want to thrive and not just cling by a thread to survival.

And, here’s the thing I came to: I wasn’t walking my talk. I’d been seduced by the idea that I would practice better self-care after my move was over. When things calmed down. When things got less hectic. 

In these past few days, I’ve reminded myself that it’s okay to feel at loose ends as my body adjusts to living life in a less heightened way.

It’s okay to let go of activities that I’m tempted to “schedule in” but simply don’t feel necessary.

And it’s okay to do it all completely imperfectly as I discover how I want to live now (because now is not then!)

One thing I’ve learned while working with people in this new program is that we all have a tendency to turn self-care into “one more big to-do on the list.” And that’s exactly what I did when I starting telling myself I’d take better care of myself when the move was over. I already had such a giant to-do list I felt like I couldn’t possibly take on any more.

And I was right. I couldn’t.

But I was also wrong — because taking care of myself wasn’t about adding to the list; it was about leaning away from the list. About letting the list sit. If there was anything to “do”, it was simply to shift my relationship to the list. To trust that those things on the list would be done when they’d be done, rather than to hold my breath until I’d “tackled them.”

There’s nothing like “heightened times of activity” to trigger stress in us, and there’s nothing like stress to trigger our “fight, flight, freeze” reactions. Once we’re in fight, flight, freeze, we’re in survival mode and we try to “just get through it.”

If we can intervene before we get to that point, we absolutely should. And right now, as I’m writing this post, I’m noticing that part of me that is feeling like it’s pushed hard enough and is ready to stop. It’s saying “enough for today”.

Listening to that soft voice — right here, right now, not later, not when I’m sure this post is “good enough” — is key to me taking care of myself today. So I’m going to act on that urging. And stop.🙂

I’d love to hear how YOU take care of yourself before getting to the “fight, flight, freeze” point. And you can learn more about my Stellar Self-Care program here.

Gorgeous gourds: confirmation that fall has arrived!

Gorgeous gourds: confirmation that fall has arrived!

Good stuff this week:

  • My good friend, artist, writer, and creativity consultant Dawn Herring, interviewed me about journaling for one of her “Creative Conversations”. I had a terrific time chatting with Dawn (she got me thinking and making connections between my journaling and the rest of my life that I don’t know if I’d have gotten to otherwise!).
  • I absolutely love this interview with Elizabeth Gilbert about creativity on Marie Forleo’s site. I particularly love what Elizabeth had to say about being a “trickster” when it comes to our creative work as opposed to a “martyr.”
  • Fall is here! The pictures accompanying this post are gourds I saw on one of my walks this week. I wish you the spaciousness to relish this gorgeous season as it sweeps in.

Images © Jill Winski, 2015

How moving is bringing up my stuff (literally)

sullivanshelfsitter

Sullivan claims his “right size” at the top of the hierarchy of our new home.

It’s been a month since my last post here, and for good reason: I moved to a new home two and a half weeks ago.

Well, sort of moved. I’m still somewhat in transition between the old place and the new — living in the new place, but going back regularly to the old to sort, organize, and get rid of before the place is officially sold. In other words: There’s a lot of letting go going on right now.

I lived in the house for ten years. When I first saw the second floor apartment (it was a two-flat), I had this inexplicable feeling of being home, and I knew I wanted to live there.

There are a number of complex reasons for my leaving the house, but let me just say that, over time, I have become the sort of “default” property manager.

And, as a friend of mine once wisely said, “houses are very greedy.” Especially old houses (this one was built in the 1880s). Although the house is in good shape for its age, its care, ultimately, has felt like too much for me to manage.

Still, I hung on until May, when some offers were made on the house and it became real to me that I really could not stay.

I am in a place in my life where I want to travel a bit more lightly in the physical world — and that means, less house and less stuff. But, as it’s becoming painfully clear, oh, do I have stuff!

***

When I moved into the house, I had been living in a teeny-tiny apartment, and I wanted to expand. I wanted to have people over for dinner.  I wanted to have get-togethers in the backyard. I wanted to have more room for beautiful things.

So when I moved my two-small-rooms-full of furniture and belongings over to the house (which had seven rooms), I could not begin to fill it up. And I kind of went hog-wild doing so. I had space! I was going to fill it with exactly what I wanted. I bought artwork — tons and tons of artwork — to cover my walls. I bought mirrors, and lamps, and ceramic cat statues, and, over time, lots of books and clothing as I became this new me who lived in this new space.

I was so in love with that house that I was determined, ten years ago, to live there for at least ten years. (Which, as it turns out, is what I did.)

But. It seems I have changed. Starting around five years ago or so, the house no longer fit me like a glove. It was almost imperceptible at first, the change — something just felt slightly off. It began to feel to me that there were too many rooms, rooms whose purpose was simply to house my stuff.

And those people who were supposed to come over for dinner and have barbecues in the backyard? Those things never really happened. The real me, it turns out, does not like having more than one or two people over at a time.

How could the house feel too big? After all, I was only living on the second floor of it, not even in the whole house! How could that be too big? I’d moved there in the first place because I wanted my life to expand. And plenty of my friends, and my parents, lived in much bigger spaces than this.

***

In the past few days I’ve been involved in two conversations about showing up in the world at our “right size.” Visionary types (and I do consider myself one) often encourage us “not to play small” and to “live a big life”. But is it really about being big, or about claiming our right size in the world?

And shouldn’t our living space support us in being our right size, having our “right effect”, in the world? Can our living spaces elegantly support us in living the lives we want to lead, the way we want to live them, rather than taking over our lives or defining us?

I guess what I am coming to is that the house, for all its aged charm and familiarity, grew over time to feel more like the house I thought I “should have” than the living space I actually wanted.

I know that I do not want to work hard to being able to pay for a living space that feels oddly “too big” and “too greedy” in the care it requires. I want to enjoy my work, and have a right-size-feeling living space that gives me the comfort and efficiency to do that. And somehow the word “cozy” applies here. It is important to me that my living space is cozy.

***

What this all means is that I have a lot of letting go to do. I’ve donated quite a lot of clothing, shoes, and household things over the past couple of months. And some of my beloved artwork will likely be given away, sold, or put into storage. (Only some: I’m hardly a minimalist and I can’t imagine my living space without artwork I adore surrounding me.)

This is hard. I had not realized how much I was identified with my stuff. How much I keep for sentimental reasons, how much I keep “just in case I need it some day”, how much I keep because it reminds me of a certain time in my life (even if I no longer particularly want or need to be reminded of that time).

And it’s not just about what I keep, but how hard I cling to what I keep.  There’s a part of me that says, I’m not going down without a fight! I will hold onto this Anthropologie sweater purchased in 2004 until my fingernails bleed! (And believe me, clothing is the easiest stuff for me to let go of.)

Even more than the stuff, I have been attached to the house itself. Its friendly oldness, its lovely crown mouldings, its creaky wood floors, its semi-treacherous winding staircases, its clutch of small rooms in unexpected places, its red back door with the cut-glass window.  Its retro 50s-diner-look kitchen, its bathroom with the green marbled tile from the 60s. Its arched walkways. The overhanging trees in the backyard, the across-the-street-neighbors’ dog we saw being walked several times a day, always with a white bandage on its hind leg. The house and its small swatch of neighborhood had character, and personality, and they met me where I was when I moved there.

***

It seems like every third person I know these days is reading The Life-Changing Magic of Tidying Up by Marie Kondo — I saw it referenced in two blog posts just today! Since I haven’t read it, I don’t know exactly what she talks about, but I have a sense that I am going through my own version of it right now.

I’ll write more on my (sometimes excruciating) letting go process in a future post. But for now, let me just say that, although it does not yet feel like home,  I am liking the new place (which I share with my dear boyfriend and Sullivan the Supercat — don’t tell him the vet says he’s a “senior”).

I'm a little grumpy that you've made me move ... but really, it already feels like home.

“I’m a little grumpy that you’ve made me move … but really, it already feels like home.”

One of the joys of moving in here has been the relative ease with which Sullivan has adjusted. He yowled his displeasure as we sat his carrier on the floor on the first day in the new place — but by day four, he was doing his usual intense shelf-climbing. (Sullivan is what cat behaviorist Jackson Galaxy calls a “tree dweller” — he’s most himself in high places.)

What about you? What have you noticed about how your living space and your “stuff” reflect who you are and what matters to you? I’d love to hear from you.

Do you have a “most creative” time of day?

colorfulshoelaces

I got an email from a client the other day (and she gave me permission to share parts of it here). It was a joyful update — she’d finally hit on a workable process for doing the beautiful paintings she creates.

We’d talked a lot during one session about her desire to work on her paintings during the early morning hours, and how this never seemed to quite work out. Usually, she didn’t get started as early as she wanted to and then felt she’d failed. And because her artwork requires a lot of “set-up”, it wasn’t so simple for her to grab fifteen minutes here or there, as, for example, a writer can.

She wrote that after a lot of testing and trying, she’s discovered she feels most creative between about 8 p.m. and midnight. And when she makes that segment of time her “working hours”, she falls into bed worn out, but satisfied — and she can sleep until she feels rested.

She’d had a sneaky suspicion that the night-time hours might be the best time for her to focus on her artwork, but a part of her (which I’d be willing to bet is her “social self”) believed that only “slackers” waited until that late in the day to do their work.

This is so fascinating to me, and it got me thinking about the demands we put on ourselves and our creativity. And I think there’s another component to this that has to do with the direction our energy flows throughout the day.

When I was in graduate school, taking writing classes, I discovered that I had an awful time connecting with my voice and generating writing in classes that started at 6 p.m. (I also had more trouble communicating and socializing with other students at this hour).

But during the classes that began in the early afternoon, I did some of my best, most connected writing. In the one 8 a.m. class I took, I felt like I was just fully waking up and getting energized as the class was ending.

This was great information for me. Now, I don’t necessarily think this means that I am most creative during the late morning/afternoon hours. What I actually think is that during these hours, I, an innate introvert, experience the biggest outward flow of my energy. That is why I like to schedule coaching clients and lead group coaching calls during these hours as well — I have the most “other-focused” energy available to me during this time.

By about 6 p.m. (as I discovered in my evening writing classes), my energy is moving inward again in order to rebalance me and replenish itself.

This doesn’t mean I am not creative during this time (after all, there is both an active and a receptive component to creative energy). But it does mean that my creativity takes on a more still, absorbent quality, rather than an exuberant, expansive quality, at night.

During the evening hours I tend to be taking things in, chewing on them, puttering and reflecting. I might enjoy talking quietly with one or two people in the evenings, but I generally don’t want to be a part of large groups that require a lot of “extroverting” from me at night.

(It’s worth noting that, for me, fiction writing and blogging feel more like “extroverting” in the sense that I am aware I’m communicating with an audience — whereas journaling feels more like “introverting”, in that I’m processing my own thoughts and feelings, or doing things like mind-mapping that are mostly for my eyes only. This is probably why it’s a lot more challenging for me to write a blog post or work on fiction at night, but I have no problem doing leisurely journaling in the evening.)

My client said that when she does her paintings, it feels like she is “deep diving”, and she can best do this when the “mundane tasks” of her day are finished and no one is clamoring for her attention. That’s why the late night hours work well for her — she has a harder time accessing her “deep diving” space earlier in the day.

And I love her awareness that a part of her hadn’t even considered doing her paintings at night because it didn’t seem “industrious” or “productive” to do “serious work” at that time!

I suspect that her essential self doesn’t care a whit about being industrious, productive or serious — though I could be wrong. But her discovery was a reminder for me about how deeply our assumptions can color our choices.

My sense is that it’s not so much that we’re “more creative” during certain times of day, but that our creative energy is in different phases throughout the day. And some phases are more conducive to certain aspects of creating than others.

What do you think? I’d love to hear from you.

(And by the way, there are quizzes you can take online to discover your “most creative time of day”, and also your “most productive time of day” — they are not always the same. I found my results did not necessarily reflect what is true for me, but they’re still fun to check out.)

Also: I won’t be taking on any new coaching clients until the last week of August, as I’ll be moving into my new home in just over a week! I’m looking forward to sharing more about that with you here, once I am post-move and a little more grounded and clear-eyed.🙂 In the meantime, happy creating!

Image is “Colorful Shoelaces” © Judy Ben Joud | Dreamstime Stock Photos

Bringing the joy back to your creative work

paintedheartRecently, a writer friend and I had a great conversation about what to do during those periods when you feel like the joy has simply evaporated from your creative work (or your life!). The talk got me pondering.

I love a broad definition of creativity: I believe it is, simply, the life force moving through us. So when we’re not feeling joy, something is going on with the flow of that life force.

Consider the following three things if you’re wondering where your “creative joy” went:

* Structure: do you need more or less?

As with everything, as we change and our lives change, so does our need for structure. Back when I worked at a job that required me to be in an office from 9 to 5, I felt that my life was too heavily structured. I didn’t have the amount of “meandering, puttering time” that fed my creativity. However: when I quit that job and had more free time, I quickly found that I needed to create more structure in my life or I felt sluggish and unfocused.

Both feeling overly structured and “understructured” can squeeze the joy from our creative work. (As I was reminded last weekend while watching the movie Next Stop Wonderland, that quote from Emerson is NOT “consistency is the hobgoblin of little minds” but “a FOOLISH consistency is the hobgoblin of little minds.”)

Consistency in and of itself can provide the daily structure we need to show up for our creative work — but we need to be tapped in to what kind of structure and how much we truly need (or we can get into that foolish consistency territory!). There is no question that our souls crave those periods of open, meandering, wandering time. If you haven’t had one of these for a while, see how you can go about scheduling one and notice whether you see your joy resurfacing.

(I went into more depth on the topic of structure here.)

* Support: do you need more, or different?

Support for our creative work is so important — and/but it must be the kind of support that works for us, not for somebody else. If you feel like the joy is leaking out of your creative process, take a look at the support you’ve built around it. Is there too little? Is there any at all?

Or, are you surrounded by voices that encourage you in ways that don’t quite feel like the kind of encouragement you actually crave? Are you calling something “support” that actually isn’t? (For example, does the writing group you joined offer feedback in a way that doesn’t work for you? Can you ask them for what you need and move on if you’re not able to get it?)

Or, are you suffocating in information masquerading as support? I’ve become very picky about what I read online. So often, less is more, and in the end, it’s myself I need to consult, not “the experts.”

(I delved more deeply into the topic of support here and here.)

* Sovereignty: do you have enough? Do your boundaries need strengthening?

Sovereignty means that you are the ruler of your own kingdom.  In other words, you decide what comes into your life and what stays out, through creating boundaries around your creating.

Many times when I’ve felt I’ve “lost my joy”, when I’ve looked a little deeper (or perhaps had a friend, coach, or other compassionate witness point out the obvious to me), what’s really happened is I’ve lost my boundaries. I’ve allowed the desires and needs of others to encroach on my own to the point that I’ve felt angry and resentful — which is pretty much the opposite of joy!

Or, I may be eroding my own boundaries by being mean to myself (here it can be vital to look at my thoughts and how they’re influencing the way I feel) or getting out of whack in the realms of Structure and Support. (See how it’s all connected?)

Karla McLaren says in her wonderful books that when we feel anger, the questions we need to ask are “What needs to be protected?” and “What needs to be restored?” Very often, the answer is boundaries. We need to reclaim our crowns as rulers of our creative kingdoms (or use whatever metaphor works for you there!).

(I wrote more on the topic of setting boundaries around your creativity here and here.)

Reclaiming joy is a huge topic, but just taking a look at one (or all three) of these areas of your life can be a great jumping-off place.

How do you bring the joy back into your creating when it’s slipped through the cracks? I’d love to hear.

And by the way, if you’re needing more structure and support for your writing, you might want to check out The Writer’s Circle (where I am both a coach and a longtime participant!). Registration for our next session ends July 16.

Above image © Egidijus Mika | Dreamstime Stock Photos