Why creating consistently is so important

December 27, 2012December 27, 2012 / Jill Winski / 6 Comments

I’ve been thinking back over the past year and remembering the awesome clients I’ve worked with.

If there’s anything that’s repeatedly reared its head this year for my clients, it’s been the issue of making creativity so BIG that it feels scary, 0verwhelming, and like there just isn’t enough time to take it on. Almost everyone I worked with had a belief that went something like this: “I can’t [write, paint, dance, draw — fill in the blank] unless I have more time available to me. So I need to completely overhaul my life in order to focus on my creativity. But completely overhauling my life isn’t possible right now. So I’m hoping that by next year I’ll be able to let go of something so I can focus on my creativity.”

What I’ve found so interesting — because these beliefs can certainly come up for me as well — is that it’s the beliefs themselves that make the idea of creating feel so hard, not creating itself.

When we make it so big we feel like we need a ton of time in which to do it, we ensure that it will never be done, because we know on some level it’s highly unlikely that we’ll ever have huge blocks of empty time available to us on a regular basis. And when we tell ourselves we need more time in which to do it, and we don’t make that time or don’t see that we can have it, we put off our creative work (I prefer to call it creative play). And when we put something off, we create resistance.

The very act of putting it off (when something deep inside us knows it’s vital that we do it) creates stress around the idea of doing it — our minds spin out stories like, “Well, if I’m putting it off, it must be because it’s terribly hard and scary and BIG, and wow, that feels really frightening, which makes me just want to put it off more.”

We don’t often question thoughts like these. But they start to wield a huge amount of power over us, because these thoughts create feelings, and our feelings create our actions (or lack of actions) in the world. Often, our most powerful thought around our creativity is “I’ll do it when I don’t feel so overwhelmed and uncomfortable around it.”

But the reason we are overwhelmed and uncomfortable around it is because we make it so BIG.

Since September of 2011, I’ve been a participant in Jenna Avery’s Just Do the Writing Accountability Circle. (We like to call it simply The Writer’s Circle). I’ve also been co-coaching the Circle with Jenna for about a year now. In the Circle, we focus on writing a little each day, building our writing habit over time, with group support.

What I’ve learned over my time in this group is that:

1) Writing consistently (even if I’m not always crazy about what I’m writing — and believe me, I’m often not) feels a lot better than writing once every couple of months. When I create regularly, I remind myself of what matters to me, of what makes me me. When I put off creating, I can lose sight of why I create. I create because I have an instinctive drive to make meaning, to understand myself, to understand the world. I create because it’s fun (which isn’t to say it’s not challenging! But I love a good challenge.).

When I put it off until I have “more time,” I get confused about why I do it in the first place. I start to think it has something to do with money, with success, with notoriety. When I actually do it, I’m reminded that it has little to do with this things. It’s an act of adventure, a quest for discovery.

2) When we make our creativity really BIG — as opposed to integrating it into our daily lives in small, sustainable ways — it becomes something outside of ourselves, something to grasp for, something we believe will make us complete if we can only get to it. (Julia Cameron calls this turning our creativity into “Art with a capital A.”)

The truth is, creativity is always inside of us. It’s part of us. The “me” that lives my daily life and does mundane things like doing the dishes is not a completely separate entity from the part of me that sits down and writes. In fact, sitting down and writing is, in some ways, not that much different from doing the dishes. The hardest part is starting. Once I begin, I proceed one sentence — one dish — at a time.

When the parts of us that create and the parts of us that do the dishes are friendly with each other, and not strangers, they work together oh so much better, and we show up in the world as more integrated beings.

3) We all — whether we are seasoned writers, or writing our very first poem, whether we are published writers or not, whether we make our living from our writing, or not — struggle with clusters of the same (or similar) issues. It’s incredibly heartening to realize that that issue you’ve struggled with in isolation, sometimes for years, is not just shared by others, but is deeply understood.

If you’d like support in creating a more regular writing habit — whether you’ve been away from writing for years, or you’re just starting out — check out The Writer’s Circle. Our next session begins December 31, and tomorrow, Dec. 28, is the last day to register. New members can save $30 on their first session with the coupon code NEWYEARWRITE. We’d love to have you there!

Image is “Artist Box 2” © Andreea Stefan | Dreamstime.com

Making Room for Everything

December 17, 2012December 17, 2012 / Jill Winski / 4 Comments

Twenty years ago, my father gave me a copy of Women Writers at Work: The Paris Review Interviews. I devoured this book. I was fascinated by the words these writers used to talk about their process, and about their relationship with writing. In some ways, I cared less about what they wrote than I did about what writing meant to them, its connection to who they were, and how it made meaning for them.

One interview stood out for me the most, and that was with the Irish writer Edna O’Brien, author of many novels and short stories. I returned to this interview again and again. Edna O’Brien was so herself, so full of contradictions and so open and accepting of them. The interviewer mentioned Philip Roth’s rumored habit of writing 365 days a year, and asked O’Brien if she shared this habit. O’Brien said that, actually, she did not write 365 days a year, because she wasn’t “that kind of writer”.

She also said that part of her process was moping. “Did Philip Roth say that he moped?” she asked.

I loved this. Permission to mope! I was twenty-one at the time, and for years I’d been trying to get rid of the part of myself that was mopey, the part of myself that actually needed time to just be with whatever I was feeling. Because no one in my life had ever given me permission to just feel bad, and to take that time. And, up until I read that interview with Edna O’Brien, I wasn’t able to give it to myself.

I didn’t know it could be okay to allow myself to feel like crap, let the feeling be there, and trust that this feeling would move and shift, as feelings do. I’d always been taught to get rid of that stuff — if I allowed myself to get in touch with it at all — and to move on from it as soon as possible.

Which hadn’t worked very well.

Because sometimes I need that. I need to putter around the house with these feelings and just give them space. I need to allow them to be, instead of engaging in the inner tug of war that happens when I feel a little mopey and I tell myself, “You don’t have any real reason to feel that way!”

As a creativity coach, a frequent refrain I hear from clients who feel sad, tired, or drained is, “I know I shouldn’t be letting this get in the way of my [writing, artwork, coaching — fill in the blank].”

We have this idea that “creating” means doing — all the time — and we’re somehow “lesser” writers or artists or coaches if we’re not always doing something that looks like creating. We get into either/or: I’m either doing it, or I’m not.

We don’t see the whole of our process — we might not even be aware of the whole of our process. The root system of a tree plunges deep, deep into the earth — but we only see the leaves, the trunk, the branches. And in winter, we don’t even see leaves.

What if we included all of ourselves in our process? What if we saw all of our emotions as helping our creative process, rather than hurting it?

In attending to, making space for, our own emotional core, we feed our creativity, over time.

We may have days that look like puttering, or moping, or just curling up on the couch, and not much else.

But that doesn’t mean we aren’t creating. We’re just in the unseen part of our process. We’re just underground for a while.

The holidays are a good time to remember this. We often feel frazzled, disconnected from ourselves, due to extra activities and the “stuff” the holidays can bring up for many of us. What part of your process are you in right now? Can you give yourself permission to be there, or at least, to notice where you are? Can you make room for whatever’s coming up?

Happy Holidays to my beautiful readers, clients, and friends.

And here’s a great opportunity for more permission-building insights: My friend and mentor, the wonderful writer and coach Jenna Avery, is offering a free teleseries on Creative Productivity, starting this Wednesday, Dec. 19! You can check it out and sign up, here.

Image is Ice Tree © Brent Hatcher | Dreamstime.com

Practicing Reverent Curiosity

December 6, 2012December 6, 2012 / Jill Winski / 2 Comments

“Novel-writing is not so much a profession as a yoga, or ‘way’, an alternative to ordinary life-in-the-world.” — John Gardner

On Thanksgiving Day, I was hit with a bad cold. I spent two days pretending the cold wasn’t actually there and that I could go on functioning as if I were well. By the third day, I had to admit that I really was sick — and this meant I had to let go of my need for that thing I fondly call “momentum.”

I like the feeling of momentum. I like the idea that I am moving forward. The trouble comes in when I start to believe I can truly control exactly how things move.

When I returned to working on my novel after being sick, I felt disconnected from what I really wanted to say, at a loss with the story. My characters seemed like they were doing silly things, just marking time, moving around the rooms of my pages for no purpose.

Yesterday, during a group writing sprint with other members of Jenna Avery’s Just Do the Writing Accountability Circle, I went to the page with the same feeling of stuckness and confusion about my story that I’ve had lately. “This is terrible!” a familiar voice inside me piped up. “You have to get over this! You need to make this story work!” (No pressure, or anything.)

When, as a coach, I work with a client who’s stuck, I often use metaphor to help them see their situation clearly. I asked for a helpful image to come to me, and the image that bubbled up in my mind was my cat, when we have a vet visit scheduled and he’s caught on to the fact that the cat carrier has entered the room. Once he gets under the bed, my mission is impossible: he knows he can hide there from me as long as he wants, because I can’t physically pick up the bed and get him out. And we’ve certainly had incidents where I’ve chased him around the house, and sometimes I end up standing the cat carrier on its end and stuffing him into it while he braces his back legs on its sides and writhes furiously. I hate this. And, of course, so does he.

There was this one time, though, when my cat snuck under the bed and I just didn’t have it in me to figure out a way to get him out and stuff him into the cat carrier. I set the carrier on the floor in the living room and sat down in a chair. I called the vet and told them we probably weren’t going to make it to our appointment.

The vet’s assistant was completely laidback about this. “Come on in if you catch him,” she said, laughing.

I sat quietly in my chair. Really, chasing my cat just didn’t seem worth it. He wasn’t ill; it was just a routine check-up since he’s getting into his senior years.

Within fifteen minutes, my cat emerged from beneath the bed and tentatively walked into the living room. He saw me sitting in the chair, looking quite harmless; he approached the cat carrier and sniffed at it. Then he began to investigate the carrier very thoroughly, with a kind of reverent curiosity. It was like he wanted to fully understand this instrument of his impending doom.

I realized that I was treating my story the way I treat my cat when I just want to get him to the damn vet. I stuff him into a box and endure his plaintive meows, feeling like a world-class jerk. Because I want to fix things. Because I want to make sure I’m doing the right thing. Because I’m driven by a kind of urgency.

Obviously, sometimes my cat needs to go to the vet and we do engage in this routine (though I’ve gotten quieter and better at doing sneak attacks, so neither of us struggle as much these days — usually).

But does this pattern work with my novel, with my characters?

I was stuck and overwhelmed because I was invested in the idea that my story needed to be “fixed,” that it contained a problem that needed to be solved. There are certainly plenty of books and advice out there that can tell me how to “fix my novel problem.” And some of them can be very helpful, at certain points in the process. But I realized yesterday that approaching my story in this top-down way, as if it was something I could fix from the outside by forcing it into a box of my choosing, was disconnecting me from anything the story had to show me, from letting it reveal itself.

When I sat back, relaxed, and made the choice to approach my story with that reverent curiosity my cat is so good at, I discovered a fascinating thing: I got really interested in my story again. I wasn’t trying to make it be, or do, anything; I was just interested in it. That all-important question, “What is it about?” welled up in me, and I realized I knew exactly what it was about. I also realized that this novel does not want to be as long as I’ve been thinking it should be. It just might want to be a novella. It knows what it is; and I’ve been so set on “fixing it” that I’ve lost touch with the thread that connects one scene to the next.

My story started to move again. I wrote beyond the 0ne-hour set time of the group sprint, I was so caught up in it. Hallelujah! I understand my story better. And why did I get into this writing in the first place, if not to better understand?

Can I approach my life, too, from this space of reverent curiosity? Can I step back, breathe for a moment, and give my life the space and kind attention it needs in order to be what it wants to be?

Work With Me: I love helping writers and artists who are feeling stuck. Check out my one-on-one coaching, here.

Image is “Wonder Cat” © Eden Daniel | Dreamstime.com

Support, Part 2: Reaching Out of the Vortex

November 18, 2012 / Jill Winski / 2 Comments

In my last post, I talked about how things that look, sound and smell like support may not actually be support. And I mentioned that dark, swirling, sucking vortex I can get into when I need support but I’m not sure how to get the kind I need — or maybe I’m not even sure what kind of support I need to begin with.

So, if we find ourselves in the vortex, how do we get out?

First, remember that being in the vortex is only scary because we believe we shouldn’t be there and we need to get out, now.

As Byron Katie might say, we should be there because we are there. Being there is just another opportunity to look around and learn.

Second, there are two parts to support — self-support and support from others that feels supportive. (Hiro Boga commented, brilliantly, in a recording I listened to on her site recently, that it’s not support if it doesn’t feel supportive!)

So, when you’re swirling in the Vortex of Need, ask the wise part of yourself: What might feel truly supportive right now? And see what bubbles up. (It’s really important to ask your inner wisdom for this information, and not the part of you that is spinning in need and angry or sad or desperate that it’s not getting its needs met. This part of you does not need to be burdened with questions right now.)

Usually, I get a response that is very simple. It might be to call a particular person I trust. It might be to tell any one of my private, virtual support networks that I’m feeling like crap. It might be to do the dishes, watch a movie, take a nap, open a particular book. It’s never about the long-term– it’s always a very small, specific thing I can do in this moment.

Thinking too long-term can make getting the kind of support we need feel completely overwhelming. It’s not possible to know what kind of support we’re going to need next year, or even next week. We can only know what we need in this moment.

So, what if it feels hard to get in touch with our inner wisdom? What if it’s crowded out by the voice of need? What if our inner wisdom suggests calling Suzy, but even though we know we deeply trust Suzy, we’re so far into the vortex that, in this moment, calling Suzy feels unsafe?

This is where the self-support piece comes in. Sometimes, I need to practice self-support before I can reach out for support from others. This is one of those steps that often gets left out. “Reach out, ask for help, have courage,” we’re told. But there’s an intermediate step that gets skipped over, and that’s kindness.

Can I access that space within me that is exquisitely kind, warm, and accepting — toward myself? It’s often easy to generate this type of kindness toward others, but what about turning it inward, toward me? This means having total reverence and respect for whatever it is I’m feeling. Giving it permission to be there, and legitimacy, and validity.

We often skip completely over this step, and then wonder why, when someone else does offer support, it doesn’t “land.” Usually it doesn’t land because there’s still a part of us judging and beating ourselves up for feeling whatever it is in the first place — for needing to begin with.

The beautiful thing is that when I practice this type of kindness toward myself, I am put immediately in touch with my inner wisdom. There’s nothing like kindness to lift me out of the vortex of need. In fact, reminding myself to treat myself with exquisite kindness points out the places where I’ve been harsh, or where others (not meaning to) have triggered my own harshness toward myself. But it’s hard to see the harshness when I’m living by its rules. I need to shift into kindness in order to see it.

So, the quick version of this process:

1) Accept that you are In the Vortex of Need, and it’s totally okay. You should be there because you are there.

2) Ask your inner wisdom, what might feel truly supportive right now? See what bubbles up. Take action on whatever comes.

3) If you can’t access your inner wisdom, or if what bubbles up from your inner wisdom feels too scary, practice kindness toward yourself. Deep, radical, kindness. Notice what shifts in practicing this. If it feels hard or awkward, imagine the kindness you’d feel toward a struggling friend, or your cat or dog — someone you find it really easy to be deeply kind to — and direct that kindness toward yourself.

The quick and dirty version:

Skip to number #3 and keep doing it. From deep, radical kindness, all Vortexes of Need dissolve and transform into Foundations of Support.

I’d love to hear your thoughts on how you reach out for support. What makes it feel easier?

And: Wednesday, Nov. 21, is the last day to sign up for Jenna Avery’s Just Do the Writing Accountability Circle. I’m both a participant and a coach for this group, and I highly recommend checking it out if you’re looking for support in creating a daily writing habit!

Image is YELLOW VORTEX © Carsten Erler | Dreamstime.com

Support: What it is, what it’s not

November 7, 2012 / Jill Winski

I’ve been thinking a lot lately about the concept of support. There are few things more frustrating and alienating than reaching out for support and getting something that feels like the opposite, even if support is what’s intended.

I like to say, “It begins with us.”

And this is true. Self-support is the cornerstone of any true support. Sometimes it’s impossible to let support from “out there” truly land if we aren’t first practicing self-support.

But, said one of my dear clients the other day, what if I’m in a place where I simply can’t access my self-support system? What if I’m so turned around and upside down and frantic that I just can’t get to that place in myself?

Of course. This happens. That’s when support from “the outside” can be most valuable. That gentleness from a trusted friend that we can’t seem to manage to give ourselves. That perspective we just never would have considered if left to our own devices. So. Important.

But: sometimes it’s when I’m in need of support the most that I am the most reluctant to reach out for it. In fact, this is usually what happens. The more I feel like a black hole of sucking need and desperation, the less I want to reach out, and the more I get sucked down, down, down into the vortex.

And, sometimes, into that vortex is exactly where I need to go. It’s not about “forcing myself” out of the vortex to ask for help. This doesn’t necessarily feel safe, and I’m also not necessarily in a place where I can receive any external support when I’ve gotten to this point. (More on this in my next post.)

True support meets us where we are. It doesn’t force, criticize, or project. It’s curious, interested; it asks open-ended questions. (See my previous post on true support, here).

There are, however, a few things I’ve learned that can contribute to getting into the vortex of swirling, sucking need that feels like it will never end and will never be met. Here are some I’ve noticed:

1) Calling something “support” that doesn’t feel like support. For example, the internet. There’s more than enough information for any of us to digest on any topic we want to do a search on for the next bazillion years. But information is not the same thing as support. And getting overwhelmed by information definitely doesn’t feel like being supported. Posting a question on Facebook and getting fifty different “here’s what I’d do” responses is not necessarily support; it just might be overwhelm — more to process, more to weed through.

2) Going for support, again and again, to people who just aren’t able to provide the kind of support you need. Different people provide different types of support. One of my ingenious ways of alienating myself for many years was going to people who weren’t able to give me the kind of support I needed in the past, hoping that this time they’d show up for me the way I wanted them to. It didn’t happen. Embracing reality: always a good thing.

3) Expecting people to support you exactly the way you’d like them to, without telling them the kind of support you need. If you just want to vent and you don’t want to be coached, you can let someone know that — even if they’re your coach. I used to have a habit of just accepting whatever support was offered, even if it was so not what I needed in that moment. I’d feel alienated by the other person, but really I was alienating myself by not stating what I needed. (This isn’t always, easy, of course. Sometimes, we’re just not sure what we need. We need to be really, really compassionate with ourselves here. We’ll figure it out.)

4) Thinking we need a LOT of support, when what we actually need is the right KIND of support. (See #1.)

5) Thinking that what feels supportive to others should feel supportive to us — even when it doesn’t. The same week my cat died two years ago, I had a trip planned. I literally had no energy for travel and wanted to be at home with my grief, even though other people told me the trip “might be just what you need!” It wasn’t; puttering at home feeling totally safe to burst into tears at any moment was.

In my next post, I’ll write about what to do — or not do — when we’re swirling in the vortex of need and we don’t know how to support ourselves.

What are your thoughts about support? Where do you look for it? What works for you and what doesn’t? I’d love to know.

Work with me! Check out my one-on-one coaching opportunities.

Image is LADY-BIRD © Nikolajs Strigins | Dreamstime.com

How to Take a Pretend Vacation

October 25, 2012October 28, 2012 / Jill Winski / 4 Comments

I realized this afternoon that, kind of without being totally aware of it, I’ve slid into one of my oh-so-rare “pretend vacations.”

A Pretend Vacation is something I give myself when I’m a little overwhelmed, a little run-down, or maybe just feeling more reflective and inward than usual. It might last a day; it might last three. It’s never a planned thing. It’s like a need that asserts itself in a small voice; if I don’t listen, it speaks up more sharply.

I suspect the need for a Pretend Vacation has been coming on for several weeks. Maybe it’s kicked in because of the events of this past weekend: Saturday morning, while eating a Larabar, my crown popped off and I almost swallowed it. Did you know when a crown comes completely off, it has a little pointy screw thing sticking out of it? Be warned.

Then, Saturday night, there was a party. I have an interesting relationship with parties. If I can get myself to them, I like them. For about twenty minutes. I stayed at this one for three hours. (But it was a Halloween party! Costumes! Gummy worms soaked in vodka! And “Poltergeist” and “The Exorcist” on TV all night! My inner scary-movie-lover was happy; my inner HSP-introvert was overstimulated.)

I spent Wednesday morning in my lovely dentist’s office as she dealt with the gaping hole in my gum. Throw in a couple other unexpected and stress-inducing issues over the past few days and, on cue, need for Pretend Vacation makes itself known.

A real vacation is planned in advance. It involves taking time away from work, maybe more time with family or friends, or not, maybe traveling to another place, or not, but there is an interruption of one’s normal routine.

In my Pretend Vacations, my normal routine goes on. I just scale it back as much as possible. I do everything that’s a priority — keep my appointments with clients, do my writing, feed my cat. But I cut out anything I might normally do but don’t really need to. Today, for example, laundry and the dishes fell right off the list so I could sit quietly and drink Midnight Velvet tea. I haven’t been on social media much. I let a couple of phone calls go to voice mail.

The intention behind a Pretend Vacation is to create a container for the part of me that is vulnerable, tired, and wants to move inward to reflect or rest, while not completely removing myself from my life. I’ve noticed on a Pretend Vacation, choices I might usually waver over become really, really clear. I also notice I’m gentler with myself than I usually am, and I’m less likely to respond to things that don’t really require a response from me.

There’s something to be learned here, methinks. Can I invoke this Pretend Vacation mindset for the parts of me that are vulnerable, overwhelmed, or scared, while still attending to the parts of me that don’t want to leave the party because “The Exorcist” hasn’t gotten to the really good parts yet?

I can’t necessarily care for all these parts of myself — all these selves — on the same day, in the same moment, but I can let them all know that they will get their say, they will be heard by me, and none of them will be left out.

I can also let the sensation-seeking parts of me — my inner adventurer, my inner scary movie buff — and the driven, perfectionistic parts — know that, in the long run, a Pretend Vacation is good for all of us.

And a Real Vacation is even better.

For a related article, click here.

Image is TOY ON THE BEACH © Cristina | Dreamstime.com

What It Really Means to be an Introvert

October 15, 2012 / Jill Winski / 6 Comments

Many of the creators I work with as a coach are introverts. But some of them have a hard time owning this.

I get it. As I was growing up, I learned that there were these “social definitions” of introvert and extrovert. These definitions went something like this: An introvert is quiet, shy, and keeps to herself. She’s not very friendly. She needs to learn to be more outgoing and social. An extrovert is gregarious, charming, engaging. She has lots of friends. People really like her and she’s socially well-adjusted.

Naturally, most people wanted to feel they were the second thing, not the first. I know I absolutely hated being labeled “shy”, and my parents and most of my teachers wanted me to “combat my shyness.” I always felt they were not seeing me for who I was.

I think a lot of people nowadays (I hope, anyway) have a better understanding of what an introvert actually is. But I know here in the U.S. there’s still a cultural bias in favor of extroversion. Recently when I mentioned to someone that I work mostly from home, she said, “Oh, gosh, you don’t want to spend too much time at home. You might become an introvert!”

It hit me once again that the reason some of us struggle to accept ourselves as introverts — and try to live contrary to our nature — is because these old “social definitions” of introvert and extrovert are still intact.

Actually, the definitions of introvert and extrovert that I prefer may be even older. Jung defined introversion as “predominately inward-looking” and extroversion as “predominately outward-looking.” What this means is that introverts are naturally inclined toward delving into their inner worlds, whereas extroverts are more inclined toward interacting in the outer world. And everyone is at a different point on the introvert-extrovert spectrum — we’re all some of both, but to varying degrees.

I am probably not the most extreme of introverts, but I’m way up there on the scale. This DOESN’T mean that I am always quiet and that I dislike being around people. It means that because I take anything I experience in the outer world and turn it inward in order to process it, I need a certain amount of downtime in which to chew on things and recharge my battery.

So, my bandwidth for socializing and being in the “outer world” is finite, and if I don’t respect that and push myself beyond my limits, I’ll become overwhelmed and depleted. What overwhelmed and depleted looks like in me is spacey, irritated, tired, quiet, withdrawn, and yes, sometimes it may look “shy” or create shy behavior — in other words, I may become fearful in situations that normally wouldn’t cause me to be so because my battery isn’t charged and I know I don’t have the energy to deal with them at the moment.

This is why traditional school and work settings are often not ideal for introverts — we run out of steam and feel like we’re running on empty, try to retreat to our inner worlds to get recharged, and discover this isn’t acceptable in the company of (most) others. Then we start judging ourselves for not being able to act like extroverts, who recharge their batteries by being with people and engaging in activities.

Because I understand my introversion so well (though I’m always learning more about my needs) I love the fact that I’m an introvert and I fully embrace it. This hasn’t always been true for me, but now that it is, my life flows so much more smoothly. When I can accept the ebbs and flows of my own energy and give myself the downtime I need — and own that in the company of others — I can show up fully myself.

I’d love to see all introverts embrace their nature and see how it works for them as creators. I’ll talk more about this future posts.

Check out Marti Olsen Laney’s “The Introvert Advantage” or Susan Cain’s “Quiet” if you’d like to read more about embracing your introversion (or understanding a loved one who’s an introvert). And if you struggle with accepting and working with your introverted nature, check out my one-on-one coaching opportunities. I love working with introverts!

Being Patient with Impatience

October 3, 2012 / Jill Winski / 6 Comments

Two Saturdays ago, I had one of my marathon journaling sessions where I seemed to be taking dictation from the universe, and I made a long list of things I want to do to move forward with my coaching practice, my writing, and my life in general. All the things on this list felt exciting, organic, juicy. Enthusiasm flooded through me. Clarity! Momentum! I couldn’t wait to get started. I was sure that in, say, a week, all these things would be effortlessly accomplished and I’d be “on my way” — whatever it is that means.

Fast-forward nine days, to this past Monday evening. I’d spent the most of the day, and the night before, in frustration, confused, vaguely panicked, complaining to my boyfriend that I just couldn’t get anything done and I didn’t know why. This shouldn’t be so hard, I kept hearing myself say. I’m so behind schedule, I kept hearing myself say. Somehow my exuberance, enthusiasm and excitement had become — what? I couldn’t pinpoint it at first, and then I realized what it was: Impatience. Of the extreme variety.

There’s a line from the movie “Postcards from the Edge” — I’m paraphrasing here, but it goes something like this: “In the movies, you have a big realization and your life changes. In life, you have a big realization and six months later your life changes.”

Sigh. Yes, it’s true — things generally do not happen as quickly as I think I would like them to happen. And often, I get clear on a vision of what I want, and then realize — thud! — that there’s a lot of letting go and restructuring that has to happen before that vision can actually become reality. And sometimes, in the process of moving toward that vision, I change, or I understand myself better, and I realize that what I thought I wanted is no longer what I do want.

Sometimes it really will be six months before the change I want is ready to be born. Sometimes it will be a year. Sometimes (as in this case — I think!), it just means I have to do what I want to do over the course of a month instead of a week.

What’s clear is that that graspy, impatient, want-it-yesterday voice inside me is not the voice of my inner wisdom — though it certainly seems like the truth when I’m in the grip of it. But I can tell it is not the truth by the behavior and results it creates — haste, confusion, spinning in circles, accidentally deleting almost-finished blog posts, stubbing my toe on the chair leg.

Impatience is one of the most common themes with my coaching clients. And I’m right there with them. We want to hurry the process so we can get to the reward, forgetting that the only tangible reward is right here, in the process.

The voice of impatience ruins the process.

I picked up SARK’s wonderful book “Make Your Creative Dreams Real” last night for a little bit of guidance. I knew I needed to get grounded. Can you believe the book actually opened to a section titled “Impatience”? I didn’t even remember ever reading this section of the book before, but there it was.

She writes: “Being patient with our creative dreams, our lives, and ourselves can only shelter and nourish us. I am learning ways to be patient with myself and my creative dreams.”

Most of us are pretty familiar with impatience. Our culture teaches us impatience and instant gratification. Be counter-culture. Nurture patience in yourself, even though it may feel unnatural and unfamiliar.

There’s an upside to impatience, too, though. It means you’re opening up to bigger stuff. It means you’re getting ready for newness. Sometimes, it means you’re no longer willing for things to be as they have been because you’ve outgrown them.

And that is all good! But if it’s not moving as quickly as you’d like it to, see if you can hold that impatience in patience’s wider lens. See if you can take a more expansive view — what Martha Beck calls “eagle vision” — and allow yourself to feel that deep knowing that you are exactly where you are supposed to be right now, doing exactly what you are supposed to do in this moment.

Being in the In-Between + Happy Fall

September 24, 2012 / Jill Winski / 2 Comments

It occurred to me a while back that part of the reason I love fall (besides the excuse to start wearing my beloved sweaters again) is because fall is about “the great in-between.” To me, it always feels like a passageway, like a crisp tunnel of flaming reds and yellows in which things I no longer need start to fall away, and I begin to get a sense of what will flow in to replace them.

I’ve always been fascinated — and, until recently, tormented by — those in-between, liminal periods in life.

For most of my life, I hated the uncertainty that comes with being “in-between” so much that I rushed to get out of it as quickly as I could — only to end up right back in it. As in, I wanted to get out of the discomfort of “not knowing,” so I took action just to get away from my discomfort, and ended up creating more discomfort. (When we take action based on a desire to avoid something, we actually create more of what we’re hoping to avoid. It’s pretty annoying how that works.)

These days, I’m learning to truly be in the in-between.

And fall is a great reminder of how beautiful the in-between can be, if I open to it, breathe into it. There’s a sacred hush to fall, if I give myself a chance to feel it. The old is dying off, and the “what’s to come” isn’t here yet. When it comes down to it, there’s nothing but uncertainty, but during transitional periods we feel this more acutely. In fact, after fall there will be a winter in which much goes underground. In our personal winters, things are being worked out in us, things we may not be able to see or articulate. And it can feel terrifying, if we look at the unknown as anything but our friend.

I’ve come to feel that this dying-off, if you want to call it that, can be exciting, even exhilarating. And maybe that’s why I see fall as all about beginnings as well.

What are you open to letting go of as the fall season begins? What are you willing to let fall away? What might you be open to beginning?

Announcements:

I have two openings for new coaching clients starting in October. I help sensitive creators who struggle with overwhelm make their creativity a priority — you can find out more here!

The last day to register for our next session of Jenna Avery’s Just Do the Writing Accountability Circle is this Thursday, Sept. 27. I’ve written quite a bit here about the huge benefits I’ve experienced in being a participant in this group, and I’m also Jenna’s co-coach. If you need to create a regular writing habit, or would like some group support as you write, be sure to check it out!

Understanding our Limits: Self-care and Creativity

September 17, 2012September 18, 2012 / Jill Winski / 4 Comments

The foundation of a healthy relationship with our creativity is self-care.

And yet, creators know that the act of creativity is also part of our self-care. So how do we negotiate the needs of our physical and emotional selves, and the needs of our spirits?

When I was in my twenties, I thought that all the good feelings I got from creativity meant I could override and ignore pesky things like getting enough sleep, eating well, and having relationships that felt reciprocal and nurturing. I thought I could be this wildly creative being and forget the fact that I am a physical being with physical needs that are not going to go away just because I ignore them.

This turned into a vicious cycle which went something like this: let me create more because it helps me feel bigger and better and then I’ll have more energy to pour into my relationships and I won’t need as much sleep or to slow down and pay attention to what I’m eating and whether or not I really have enough money to support myself. Okay, now I’m really wired and tired and my relationships aren’t very healthy and I don’t have enough money; but let me create more because it makes me feel good and then I don’t have to think about these other annoying things that are part-and-parcel to living.

This was a form of grandiosity, though it took me a while to understand it. I didn’t want to believe that I had limits, that I was a physical being with a body that got tired and emotions with messages like, “I’m burning out here.”

I did burn out on this way of life at about age twenty-five. I ended up in the hospital, dehydrated, with an unbearably sore throat and an enlarged liver and spleen. (“You don’t actually need your spleen,” the doctor told me. “But it’s nice to have it.”)

It took me a couple of years to transition into a different, slower, deeper way of living. At first I thought this way of life would be boring; I kept trying to go back to my old way of burning the candle at both ends and ignoring my physical and emotional needs. But my body wouldn’t let me.

This was the beginning of transforming my definition of creativity and what it means to be “a creative person.” I still created, regularly, but over time I saw that I did it because I wanted to, because it felt good — I stopped using it as a means to avoid the aspects of life that I had previously considered too “mundane” to deal with.

I also realized that I had a deeply held belief that if I wasn’t actively creating something — something tangible in the form of words on paper or paint on canvas or what have you — I had no value as a person. I was so wrapped up in this “doing” mentality that it took me a while to realize that, for me, “creating” had become completely entangled with proving my own worth as a human being.

What I now know is that creativity is a natural extension of my human experience. Though it’s vital to have a regular habit or routine of creating, it’s also important to recognize that I don’t make creativity “happen.” It’s a natural part of being; a regular habit of creating is simply a way of building a container to give our creativity a form and a shape. (If you want to test me on this, try not creating anything for a day and see how impossible it is.)

That’s why, now, when I work with creators, I’m committed to helping them accept not just the natural ebbs and flows of the creative process, but their own personal, internal and external ebbs and flows. When I work with someone and hear something like “I need to be writing eight hours a day,” I ask, why? Because you really love writing all the time and it brings you joy and purpose, or because you believe it’s giving you worth and value to be constantly doing?

It’s so important to examine what we believe and how it drives our actions. What I know for sure is that if I drive myself too hard — even in the name of creating — I will wear out my body, and it’s this body that, ultimately, carries out my purpose on this earth.

The fascinating paradox of all this is that when I build into my life the care for my body that it truly needs, I accomplish more of what I deeply want to accomplish — not less — and I feel better about what I do.

I’d love to hear your thoughts on this. How do you balance self-care and your creative projects?