Saturday Gratitude #7

April 12, 2014April 12, 2014 / Jill Winski / 2 Comments

Here we are at Saturday Gratitude post number seven already. These posts really help me slow down and connect to myself, and I hope they trigger good stuff for you, too. (Please share in the comments if you’d like!)

So, here are three things I’m grateful for this week:

1) The robins have arrived, signaling that it really and truly IS spring.

And they are everywhere. There is something moving to me about the way they are completely absent from the landscape during the winter, but they always return when the weather warms up and claim their territory as if they never left. Seeing them again reminds me of the mama robin who built a nest on our front porch a few years ago. She protected this nest so fiercely that I had to tell the mailman to leave the mail in the back, because the robin would fly at the head of anyone who ventured up on the porch. We left the porch to her until her babies grew up enough to leave the nest. I was tempted to call her mean, but what looked like meanness was actually excellent parenting.

2) Anger. And recognizing I needed to act on it.

Anger and I have not always had a very, shall we say, friendly relationship. My tendency has been to press it down or pretend it’s not there. But actually, anger is a friend — and a good one, if I listen to its message and make a conscious choice about whether or not to act on that message. Karla McLaren calls our healthy anger “the honorable sentry.” She says it helps us protect what needs to be protected, and restore what needs to be restored. Yes. I’m grateful I was able to honor my honorable sentry this week.

3) Four fluffy little dogs moved in across the street.

They move as a chaotic little group, each wearing a different colored harness, pulling their owner all over the sidewalk. It’s a delight to watch and I look forward to seeing it frequently.

What are you grateful for this week? I’d love to hear, and I wish you plenty of moments to be grateful for in the week ahead.

Image is “First Flower” © Tomas Stasiulaitis | Dreamstime Stock Photos

Creating during the rough times

March 22, 2014 / Jill Winski / 6 Comments

A reader wrote me with this question recently (and gave me permission to share it here):

Lately I have a number of unexpected stresses in my life that have descended on me all at once. Almost every day I reach a point of overwhelm where I just have to do the minimum and then rest. My work on my novel has gone out the window. It feels like I spend every day just keeping up and managing my emotions, and have no energy left for anything creative. I keep trying harder to “do the work” and it’s just not happening. Any words of wisdom for me?

Oh! Creating during the rough times. What a challenge it is to get hit with a lot of “life stuff” and try to keep on keepin’ on as we have been.

In answering this question, I want to look at it from two different angles.

The first has to do with embracing reality.

When life throws a lot at us — whether that change is external or internal, or both — things are not as they were before. Pretty obvious, right? But let me repeat: life has changed.

I really want to underline this, because what I see again and again (and I see it in myself for sure) is that when our lives change radically — or sometimes even when we are afraid that they could change radically in the near future — we have a tendency to go into denial for a while.

Sometimes this looks like freezing and not doing anything. Often, though, it looks like trying to keep on exactly as we have been — even though things are not as they have been.

Which is perfectly normal. But — after a point — not totally helpful.

What embracing reality means from the standpoint of doing our creative work is that when things change, it’s pretty much a given that we won’t be able to approach it exactly as we have been.

If we are suddenly taking care of a sick child (or parent), that is taking up time. If we have to take on a full-time job when previously we worked part-time, that is taking up time. We literally don’t have as many hours in the day available for our creative work: it’s a fact.

Another aspect of embracing reality is who we are.

How do you tend to handle a lot of sudden change, especially certain types of change? How emotional and sensitive do you tend to be? Some of these things are innate in us: we’re not going to change them — even if we want to — beyond a certain point.

I value the fact that I have a very emotional nature (I’m a Myers-Briggs “feeling type,” for sure) and I’m also highly sensitive.

But this means that, for example, when I lost two loved ones in the same week several years ago, it rocked me to my core and I could not “just keep on.” I remember people suggested to me at the time that my grief could be good for my creative work, and that I could “write through the pain.”

That felt wrong in every fiber of my being. I didn’t want to create at that time. I wanted to grieve. Things had changed, and I needed to ask myself if there was value in forcing myself to continue writing during that time.

For me, there wasn’t. For someone else, there certainly may have been. But we need to take ALL of us into account during the difficult times — not just the part that wants to create and keep momentum with creative work. If it feels right to scale back, we need to give ourselves permission to do that.

The other angle I want to take here has to do with our emotions themselves and the way we approach them.

If, like my reader (and me!), you tend to be “emotionally intense,” the way you approach your emotions in and of itself can create more stress for you during the hard times — or not.

When a lot was going “wrong,” I used to say things like, “This sucks! I am so overwhelmed!”

Venting is a good thing sometimes. But it’s also important to look at what we say when we vent.

Here’s why: When I say “I’m overwhelmed,” I’m fusing my identity with the emotion. And, even if I value how deeply and intensely emotional I can be, my emotions are not me. They are simply energies moving through me.

Probably one of the things I say most frequently to a client when they share how they’re feeling about something is “Good to notice.” That’s because noticing is pure gold. We can’t change a thing if we don’t first have awareness of it.

And, at the bottom of it all, “who we are” is simply that awareness — not what we’re doing, what’s happening to us, the emotions we’re having or how we’re reacting.

So, now, when I catch myself saying “I’m overwhelmed,” I say instead, “I’m noticing that I’m overwhelmed” or “I’m noticing a feeling of overwhelm within me.”

Do you see how this immediately creates a space between you and the feeling?

From this space, you are both the person experiencing the emotion and the observer of that emotion, how it feels in your body, the way you are reacting to it, the thoughts you are thinking around it. And from that space, you are not rocked and thrown by your emotions; you are not fused with them; you are simply experiencing them.

So, during the difficult times, here are two places to start. I’d love to know if anything here resonates for you, or if you have other suggestions, in the comments.

And: If you’re in a rough patch right now and you need a shift, my awesome friend Dawn Herring, founder of Refresh with Dawn Herring and #JournalChat Live on Twitter, will be offering a Refresh Intensive e-course, starting April 3 (the deadline to sign up is April 1). And it’s only $21! Want to learn more? Find out, here.

Image is “Out of the Darkness” © Emi Pascuzzo | Dreamstime Stock Photos

When you feel like you’re not doing enough

January 24, 2014 / Jill Winski / 11 Comments

Last week I had an awful moment one day where I felt like I was sitting squarely in that valley-wide gap between where I am and where I want to be.

I felt despair.

In that moment, I could not see clearly how I was going to get from here to there. It just did not feel possible.

When I feel this way, my initial impulse is usually to push myself really hard to do more.

Which doesn’t work very well. Not when my “doing” is coming from a place of despair. I can do more from that place, and only see mounting evidence for how very much there is to be done.

The other thing that happens when I approach doing from a place of fear is that everything seems to have equal priority. There might be twenty things on my list and they all rise up at once, calling out to be done yesterday.

And this isn’t true. They do not all need to be done now, and some of them probably don’t need to be done at all.

The good thing about despair is that there is not a lot of energy in it. So, in that space, instead of making to-do lists or scheming about all the steps I needed to take to get “there”, I sat down. (Notice if a feeling of despair sometimes follows an unmet need to ease up on yourself. It often does for me.)

From the blue chair in my living room, I began to focus on the blowing snow outside, the newly de-cluttered room, my cat’s snore. I picked up my journal and began to write not about what was bothering me, but about what I was noticing in my surroundings. (This is what Natalie Goldberg calls “writing practice”.)

And within a few minutes, I came solidly back to the present moment — in which, truth be told, I had everything I needed. Nothing was lacking.

I still had that feeling of wanting to grow, expand, move into newness and openness to change.

But it was coming, now, from a space of desire, of welcome, and not from that space of “I need to be there in order to be happy.”

It was coming from a space of “I am already enough — and wouldn’t that, too, be wonderful?”

Subtle shift; huge difference.

And from that space, my true priorities rose up before me. And there were only a couple, and they felt light. Not twenty equally heavy things.

So often, when I think I should be doing more, it’s because I believe doing more is going to get me something I don’t already have. In an external sense, this can certainly be true. And it’s important to honor that — I do need to take certain actions in order to get things done.

But what I sometimes forget is that nothing I accomplish “out there” can give me something that can only be generated internally. When I pursue something “out there” from a space of grasping, I only see evidence for how graspy I am and how much more I need.

The idea here is not to try “not” to be graspy; it’s not to stop pursuing what I want. The idea is to notice the back and forth between wanting and having, doing and being, between what it means to feel empty and what it means to feel satisfied. And to notice what “doing more” can help me achieve, and what it absolutely can’t.

Something to try:

For the next week, notice what happens when you have the thought “I’m not doing enough.”

How does it feel? Does it feel deeply true? Does it motivate clear action? If so, terrific! If it feels icky or stressful or — like me — you find yourself in despair when you have this thought, notice what happens if you slow down rather than speed up. See how you can return to the present moment. And when you’re there, notice the true priorities that make themselves known to you.

Hatched into the World …

This year, I want to start a ritual of pointing you to gifted writers, artists, and other creators — people who are putting healing, nourishing, and amazing things out into the world.

My friend Terri Fedonczak writes beautifully on parenting from a place of joy and abundance (rather than lack) in her new book “Field Guide to Plugged-In Parenting … Even if You Were Raised by Wolves.” (I love that title.) I had the pleasure of looking in a bit on Terri’s daily process of writing this book as she participated with me in Jenna Avery’s Writer’s Circle. And although I’m not a parent myself, this is a topic close to my heart, as I believe we’re all in the process of parenting ourselves, throughout our lives. Terri’s also the CEO of Girl Power for Good, LLC. You can check out Terri’s amazing work in the world at her website (which is beautiful, by the way), here.

Image is “Sleepy Dog”, © Mihai Dragomirescu | Dreamstime Stock Photos

How do we know we’re ready to let go?

January 12, 2014January 12, 2014 / Jill Winski / 4 Comments

In my first few coaching sessions of the New Year, I noticed this interesting theme of loss, fear of loss, and ambivalence about loss surfacing.

Some of it had to do with completing a piece of creative work and feeling the emptiness that can come with finishing. This thing that has taken up so much of our heart space and head space and waking hours is now up and walking on its own and it doesn’t need us the way it did. There’s sadness — and one heck of a void — in that.

Some of it had to do with letting go of a job or a relationship. And the big thing coming up around that was, is it truly time? How do I know?

And some of it was about giving ourselves permission to let a creative project, job, or relationship go — even though it did not feel “complete.” It was about deciding not to continue. (And that’s rough on perfectionists, which most of my clients tend to be. You mean I’m allowed to give up on it? I’m allowed to not see it to completion?)

My “big word” for this year is permission. I need to focus on permission because I’ve noticed that I can go for hours, sometimes days, forgetting that, yes, I actually do have permission to do things the way I need to do them. To feel things the way I feel them.

So I can’t help seeing these issues with letting go through the lens of permission.

And that leads me to this: Often, when we’re afraid of letting go, it’s because we haven’t given ourselves permission to NOT let go.

Some militaristic part of us jumps up and says, “Okay! Time to move on! Let’s get moving here!”

And those parts of us which are not ready to let go, sometimes not even NEARLY ready, get trampled in the stampede.

But, as I’ve written here before, we can’t truly arrive anywhere until ALL of us shows up. This concept came to me from the writings of Robyn Posin, whose beautiful website you can find here. She uses a stoplight analogy: We can race to the light, but if it’s red, we won’t actually move forward until it turns green.

There may be a part of us that is holding a green light, but many other parts of us are still cradling the red, tightly.

So, permission. To be right there.

That part of us that the light has already turned green for will probably be very impatient with the parts of us that need to go slower.

And working with the impatient part of us might mean saying to it, “Yes, I see that you’re really ready to go, and I get that. AND, the whole of us is not ready yet. You’re not allowed to let your impatience run the show. But you’re totally allowed to be impatient.”

As long as there is conflict between the parts of us that want to let go and the parts of us that don’t, we are not at peace.

And when we’re not at peace, when we’re locked in struggle, we’re in a poor place to make decisions about anything big. When we’re struggling, it’s painful, and any decision we make tends to be more about getting away from the pain than moving toward what actually feels right to us.

The questions to ask the impatient part of ourselves are: What’s scary about slowing down? What’s hard about being in the present moment?

The questions to ask the parts of us who aren’t ready to let go are: What’s scary about moving forward? What’s hard about stretching ourselves into the future?

Allow these parts to talk to each other. Write down what they have to say; you might try using a different color of pen for each part. When you can hear them all out (and notice that each of them has wisdom and truth), you can begin to integrate their needs.

And when you have integrity, you have peace. And from peace you can truly let go in wholeness.

What are your challenges around letting go? Do you tend to let go quickly, or do you really hang on? I’d love to know how it works for you, in the comments.

Image is Feathers Against the Sun © Kmitu | Dreamstime Stock Photos

Merry Christmas + tons of permission

December 24, 2013December 28, 2013 / Jill Winski

As I was thinking back over 2013 and touching base in my heart with all the amazing people I connected with this year, I noticed that so often the one thing we forget to give ourselves is permission.

When fear comes up, we have this tendency to skip the step that says, “This is what’s happening for me right now, this is where I am and how I feel. And I have permission to be here, feeling all this and being where I am.”

We want to jump over this uncomfortable, vulnerable space. It feels out of control, it feels like the unknown, and we’re not sure anyone else would get it if we shared what’s happening for us.

As a coach, I have the honor of working with clients who are in this space. And I feel it’s my responsibility to let them know that, whatever’s happening for them, it’s totally legitimate and they have total permission to be there. For as long as they need to be there.

Usually, though, we’re in a hurry to get out of this space. Mostly because we think being here means something is wrong. It doesn’t. It means we’re getting ready, preparing for that next right step to reveal itself, letting go of anything that would be incongruent with us being where we need to be next.

What we need during these times is space around everything we’re feeling, everything we’re letting go of, and the trust that whatever’s happening within us — and without — is in motion. It’s not static; it’s constantly changing, if we can create enough space around it to really observe it.

So, my gift to you this Christmas: tons of permission! Yes, it’s truly okay — in fact, it’s necessary — to be on whatever step you’re on right now. Nothing is wrong and your timing is perfect.

Two kinds of urgency

November 10, 2013 / Jill Winski / 8 Comments

Have you ever gone through an extended period where nothing felt clear to you, where everything seemed muddled and off and you wondered if it was ever going to end?

I’ve been there — many times (and if you’re going through this right now, I send you so much compassion. Yes, it’s hard.)

Way back when, I thought going through these periods meant there was something wrong with me, or that I just wasn’t trying hard enough. Uggh.

I now know that these periods of sluggishness, lack of clarity, and downright suckiness are simply part of the process of change. They’re what happens when we’re letting go of a version of ourselves that no longer fits, but we haven’t yet stepped into whoever it is we’re becoming.

These are liminal periods, and I’ve written about them quite a bit on this blog (click on the Categories list to the right, particularly Transitions and Letting Go, to read more on liminal periods).

Another term for these transitional periods, which I learned while I trained to become a life coach with Martha Beck, is “Square One.”

During Square One, a kind of urgency can rise up in us. It feels like we’d better do something, now! We’d better get out of this crappy place! We’d better make some kind of decision, now! (Even though usually we have no idea what it is we’re deciding, because one of the hallmarks of Square One is a lack of clarity on what we really want. We know what we don’t want, and the rest of it feels like one giant slog through toffee.)

A frequent reminder that I, and the folks I work with, need while in Square One is this: The faster we try to get out of Square One, the longer we stay in it. It’s the ultimate paradox. Square One needs to be fully processed, fully felt. Yes, it sucks, but it’s the only way to get truly clear.

When we rush forward because our period of transition is so uncomfortable, we inevitably end up in more discomfort.

That’s because instead of moving toward what we want (because we’ve gotten clear on it), we’re moving away from discomfort and confusion because they scare us. And where do we end up? Right back in the discomfort and confusion, scared out of our minds. Wherever we go, there we are.

So, if you’re going through a transition, or approaching one, right now, and it feels scary and like you’ve completely lost your footing, the best path to peace is not to hurry out of the scary place.

It’s to slow down, remind your panicked brain that there is no true urgency here, and realize that (in the ultimate irony), you’ll actually move through this icky transition place much more quickly by embracing an easy, one-day-at-a-time (or, on the worst days, one-hour-at-a-time) pace.

Now, there’s another kind of urgency, too. That kind of urgency is a bit different. It’s what I’d call a “transmission from your soul.”

This kind of urgency has a kind of ache to it. It contains a yearning you can’t stave off or press down, no matter how many months or years you try to do just that.

This is the urgency that recognizes that life is relatively short and there are things your heart longs to be or do, and you’re not being or doing them yet. And you’re tired of putting them off.

Or, it’s the kind of urgency that tells you a certain situation isn’t good for you and it has to stop. And that if you don’t stop it, you’re going to keep on feeling this particular ache.

This kind of urgency is the urgency that signals you’re ready for change. Not ten years from now, but as soon as is humanly possible.

Yes, I know: I just contradicted myself. I suggested that if you’re feeling urgency, you need to slow way down, not speed up. And then I said that if you’re feeling urgency, you need to act, now!

Both are true. Can you allow your mind to wrap itself around that? It’s hard for me, too.

But notice my descriptions of the two kinds of urgency. One kind is about moving away from discomfort. And the other is about moving toward what you want. (An ache or longing points us toward something in us that wants to be born.)

We can feel both these kinds of urgency on the very same day! In the very same hour! And we can accept, and work with, both of them.

The tricky part is that, when we’re feeling a lot of the first type of urgency, we need to come to a place of peace before we take any action.

Otherwise, our actions are likely to be fueled by panic and a need to escape discomfort. (Have you ever quit a job, or left a relationship, and found yourself, almost magically, back in what seemed like the exact same job or relationship six months or a year later? That’s because your actions were fueled by a need to escape discomfort, rather than movement toward what enlivens you.)

So how do you know which urgency is driving you? You might want to share what’s going on with someone you trust, or jot down the thoughts you’re having in a journal. Then ask yourself (or let someone reflect back to you): Does what I just said (or wrote) come from the part of my brain that is strictly concerned with my physical and/or social survival? Or does it feel like a mandate from my soul?

Whichever answer you get, the next step is acceptance. And remembering that fully processing what’s going on for you is, in the long run, the fastest way to actually create what you truly desire.

What do you think? What have you noticed when urgency comes up for you? I’d love to hear, in the comments.

Image is “Time’s Up!” © Nspimages | Dreamstime Stock Photos

Trusting in where your energy takes you

September 7, 2013 / Jill Winski / 2 Comments

One day last week I sat down to write and felt distracted. This is not uncommon. I often experience resistance, confusion, tedium, and occasionally even dread, when it comes to working on my novel.

In fact, I don’t usually call it (in my own head at least) “working on my novel” anymore. I call it “playing with my novel.” This feels much lighter and opens up possibility, curiosity, excitement. When I make it less grave and serious, I’m more in touch with why I actually want to do it in the first place.

That said, sometimes I feel stuck and it feels hard. And I hang in there with it anyway, because it is a commitment. And because sometimes I reach that lovely place of getting lost in my story. And the more I practice hanging in there with it, the more I reach that place.

But on that day last week, something else was going on. I sat and I sat and I sat, and I wrote and revised and tinkered. But my energy was not with the writing. I had the odd sense of pushing something away.

I glanced over at my open notebook, to some morning pages I’d done the day before. Jotted in the margin at the top of the page was a reminder to call a friend of mine, a dear friend whom I’d been meaning to call for a while. But I’d been putting it off because, although I knew that talking to my friend would be nourishing and fun, I’d told myself that she was probably busy and wouldn’t have much time to talk, anyway. I kept telling myself I’d wait and call “when we were both less busy.”

Now, the reminder note jumped off the page at me. And I realized that there was a ton of energy in calling my friend right then, right in that moment.

So, I stepped away from my computer and dialed my friend’s number. She was home and said she’d been thinking about calling me, too — that very morning. But she figured I was probably busy with coaching or writing and she’d wait to call me until the weekend.

We talked for an hour and it felt soooo good. It filled my creative well to — at least — a 10 (read Julia Cameron’s The Artist’s Way to find out more about the creative well). You know those friends who accept and love you so deeply that it doesn’t matter what’s happening for you, or not happening for you, because the connection is about your very essence? That is this friend, for me.

And something important came out of this call. I realized that I often make an assumption that the people I care about are busy and they need to “fit me in.” And this assumption is not reality. In fact, my friend was making the same assumption about me, but in truth I would have welcomed a call from her.

After we talked, I returned to my novel with a sense of lightness and new possibility, and I no longer had that nagging sensation that there was something important I wasn’t attending to. I could give the writing my full attention.

If I hadn’t followed my energetic pull toward calling my friend, I would have missed out on that connection and that insight.

And yet, my rational mind wondered if I wanted to step away from the novel simply because it was hard and it was my way of “procrastinating.” It can be tempting to “power through” at these times, no matter what. And that’s not necessarily a bad thing to do when we’re developing a habit, whether it’s writing or something else.

But we get to the good stuff in life by acting on what feels juiciest for us in the moment. I don’t mean by acting on our every impulse, but by following our intuitive urges. Often, it’s as simple as asking, “What would light me up right now?” On that day last week, contacting my friend was that thing. It was “up” for me, calling out for attention. And I needed to listen.

Sometimes, our “creative work” can serve as a means of avoiding doing our inner work. Just as we can avoid our creative work, we can also use our creative work to avoid — or push down the list — other things that are vital to our well-being. Like our relationships. Most particularly, our relationship to ourselves.

So notice the quality of your energy as you create. Is the creating connecting you with yourself, with the world, with that beautiful mysterious space we go to when we create — even if it’s a huge challenge at the moment?

Or, do you have the sense that you are using your writing, artwork, business brainstorming, or whatever it may be, to push something else away, as I did last week? Just notice. You don’t have to stop what you’re doing. Just tell yourself the truth, whatever it is for you.

Because, ultimately, creativity is being connected to what’s true for you in the moment. Because that is when you are most you. And that is what I wish for you — that you be most you as often as possible. That, more than anything else, is your gift to the world.

Image is “Leaf on Steel” © Chris Mccooey | Dreamstime Stock Photos

A two-step journaling process (for when you’re feeling stuck or scared)

August 6, 2013 / Jill Winski / 9 Comments

“My writer self is braver than the rest of me.” — Natalie Goldberg

On one of our recent group calls, a fellow participant in Jenna Avery’s Writer’s Circle asked me how I use journaling when I’m feeling stuck on my fiction writing. I thought I’d share my process, in case others might benefit from it.

My journal is one of the safest spaces I know.

And I’m someone who’s struggled a lot with safety. (I remember when I was an undergraduate, a teacher had us do an exercise that started with the sentence “Imagine you’re in a safe space.” At that time, I literally could not think of a safe space, so I couldn’t go on with the exercise.)

Safety is important. We’re often told to “take creative risks” and “really put ourselves out there,” but we’re doing ourselves a disservice if we pretend that isn’t scary, if we pretend that we feel safe, when in fact we do not. Nothing creates a feeling of stuckness like pretending we feel differently than we actually do.

So, a lot of the time, when I’m feeling stuck or scared as I’m trying to write, it’s because I’m not feeling safe.

Safe to what?

Safe to explore. Safe to write the worst crap imaginable. Safe to share only what I’m ready to share. Safe to be with the discomfort of whatever’s coming up for me. Safe to write that thing that brings up the pain of the past.

So getting away from my document on the computer (which can feel so oddly “formal”) and going to my journaling notebook is STEP ONE of creating safety. I think of the journal as a room, a room where there’s only me (and anyone else with whom I feel completely safe).

From this point on (STEP TWO), I ask myself questions on the page.

Any of the following questions are good jumping-off points.

* What do I really want to say that I’m not allowing myself to say?

* What’s the worst thing that can happen if I write the thing I’m afraid to write?

* Why don’t I want to write this thing?

* What’s the worst thing that can happen if I make a wrong turn?

* Do I actually need to step away from the story right now? (If the answer is yes, follow this one up with “How can I make that feel okay?”)

* Where is the tension (fear, stress, sadness) located in my body right now? If that tension had a voice, what would it say?

* What does this particular feeling of stuckness remind me of?

* If I had a guarantee that no one but me would ever read this writing, what would I write now? (This one can really point us to where we are censoring ourselves.)

* Am I truly ready to write this story? Why or why not?

* If I honestly don’t know where to go with the story right now, how might I open myself up to all the possibilities?

Take one of these questions, and run with it. Don’t deliberate too much over which question to choose — they’re all designed to create movement, which is what we need when we’re feeling stuck. Go with one of the questions and keep writing until you feel ready to stop. Often, new questions arise for me while I’m writing, and I ponder those, too, on the page.

A page from my journal: answering the questions, + doodling

This process does not have to take a lot of time — I often do it in ten minutes or so. The idea here is not to find the perfect answer to the question (there isn’t one). The idea is to dig beneath your surface “stuckness” and generate a new perspective. “Feeling stuck” is nothing more than believing something about your writing or yourself that is not helpful.

You can probably come up with other, better questions. Make a master list of them and have it on hand for times when you’re sitting in front of the computer and the sweat on your forehead feels like blood. We don’t have to make the act of writing so dramatic (put that drama on the page!).

(By the way, you can transfer this process to any art form, or anything at all that you’re feeling stuck on.)

What do you do when you’re feeling stuck on your writing, artwork, or any other creative project? Please share in the comments!

On that note, Aug. 15 is the last day I’ll be offering my Free Mini Unsticky Sessions! (I’ll be offering them for a low cost, in a slightly different format, after Aug. 15.) Want to grab one? Check them out, here.

And: This Thursday, Aug. 8, is the last day to register for the next session of Jenna Avery’s Writer’s Circle. I’ve been a member of this group for going on two years now (I’m also one of the coaches) and it’s been an amazing source of support for me. Interested? Read more, here.

Creating rituals around the tough stuff

January 30, 2013February 2, 2013 / Jill Winski / 4 Comments

For almost everything we call “hard,” it’s hard in part because our tendency is to force ourselves to jump in and “just do it.” We live in a culture that loves the idea of “just do it”.

And sometimes just doing it is totally helpful and appropriate.

And sometimes it’s not. Sometimes it makes the hard stuff harder.

When we think of something we want to do that scares us as a big, solid mass, like some monolithic thing rising up out of the sea, and we tell ourselves to “just jump over that!”, of course it’s going to feel really hard.

Everything that we think is hard has many, many increments and layers to it. And we can approach it this way, too.

Once, I was asked to create a piece of writing around a photograph in a museum exhibit, then read the piece to an audience as part of a writing festival. I had only about a week to get to the museum, look at the photograph, write the piece, and practice the reading.

A week goes fast, and I had lots of other stuff going on that week, too, so in reality, I knew I’d only have a few hours to do this. But it felt fun and challenging, so I decided to take it on.

Except when I looked at it all as a whole, it felt really hard. And when I say hard, I mean it actually felt hard, like a glinting black bowling ball. I could feel my abdomen contract just thinking about having to write this thing.

And this is what we often do when we’re confronted with something difficult that needs to be done: we get really hard and rigid ourselves around that thing. We set up walls around it and then we talk about “breaking through them.”

What if we set up softness around the tough stuff? What if we created a relationship with it that we enter and exit?

If I go back to my example of that piece of writing, I notice that there was a lot of entering and exiting the hard parts, within the whole process of getting it written.

There was going to the museum to look at the photograph. I made that softer by wandering around the exhibit for a while, letting the work of these photographers sink in and appreciating it. I made it softer by doodling stars and cat faces in my notebook before I started taking notes. I made it softer by treating myself to coffee on the way home.

Then I made the process softer by giving myself some time after I got home to sit with my notes and the feeling I got from the photograph. I let my notebook simmer next to my computer before I sat down to write. I let myself take a little time to get a good sense of what the picture conjured up in me.

And when I sat down to write, I made that process softer by reminding myself that right now, I was just writing, not sharing. I wasn’t thinking about the sharing until I was good and done with the writing. And I was writing one sentence at a time.

And within that writing, I took little breaks from time to time where I exited the process.

On the day of the actual reading, there was a lot of entering and exiting, too.

I didn’t turn it into, “Just do the reading! Just Do It!!!” Instead, it was more like: Get up. Have coffee while taking ten minutes to do a run-through of the reading. Keep enjoying that coffee while choosing an outfit. Ride train to reading, and while on train, start getting into reading mode — start entering reading mode and preparing for the reading.

Ahhh. Being allowed to enter and prepare, and making that a completely separate thing of its own, made the impending reading feel so much more soft.

There was a little period before the reading, where I congregated with the other readers, who were also freaked out, and acknowledging each other’s freaked-out-ness made it all feel much softer.

And then there was the reading itself, and meeting the warm eyes of certain appreciative audience members. And that made the reading itself so much softer, so much less like a glinty, flinty bowling ball and much more like a marshmallow or some Silly Putty.

Fast-forward to the present. When I sit down to work on my novel, it often feels hard, until I remember about creating rituals of softness.

There’s getting coffee and feeling the warm cup in my hand. There’s turning on my computer and watching my wallpaper come up (it’s a picture of my cat stretched out on the couch, sleeping). There’s opening my document and noticing all the other documents alongside this one, documents full of things I’ve written in the past, and that makes me happy and gives me courage: Oh, yeah, I’ve done this before, this writing.

And then there’s the first sentence of the day. I make that softer by allowing it to be a totally crappy sentence. And I make that softer by reminding myself that I can go back and change it later. And then, nine times out of ten, I’m off and writing. If I get stuck (which I often do), I make the stuckness softer by allowing myself another crappy sentence which I can change later. A lot of days, my cat jumps into my lap while I sit at my computer.

Ahhhh. So soft.

How do you create tiny rituals of softness around the tough stuff? I’d love to know.

The power of tiny new things

January 17, 2013 / Jill Winski / 4 Comments

I was talking with one of my clients the other day about how when we’re getting ready to let go of an old, painful pattern, it usually seems to get worse. It seems worse because (yay!) we notice it more. We’re really, really aware of how terribly incongruent this pattern is with the new-us-we-are-becoming. So of course it feels more painful than it ever has before.

When a pattern is really painful, I know my tendency can be to get really hard on myself about it. “How could you create this mess?” “How can you be here, again?” “Are you never going to learn from your stuff?”

These kinds of thoughts are like a smokescreen, or code, for: big internal changes are happening, and they scare me, so I need to slow down the process by being really hard on myself. Then I have something to struggle with and rail against, so I can ensure that the change is as slow as a part of me needs it to be.

The part of me who is deep and wise knows that I don’t need to do this; I don’t need to make the process harder than it is. Actually, when a pattern is playing itself out and it’s really, really painful, this is the time to step back and be the observer. I don’t have to do anything; I don’t have to fight with the pattern or try to get rid of it.

By the time I’m noticing how acutely painful it is, it’s already on its way out.

Mixed in with the pain of “this so doesn’t work for me anymore” is, believe it or not, some grief — sometimes a lot of grief. A coping mechanism that, on some level, has been useful for (often) many years is being let go. There’s sadness in that. That coping mechanism has become part of my identity, so, truly, I am letting go of something that feels like me (even if it isn’t).

In these periods of watching old patterns rev themselves up to high speed until they burn up and work themselves out of my system, it can be so gratifying to notice tiny new good-feeling things that enter my life. As the old stuff is leaving, I like to set an intention to notice what feels new and good and light.

The new and the good and the light are so often commonplace AND unexpected. Like this morning when I was getting dressed, I saw this sweater in the bottom of my drawer that I’d bought a long time ago but never really worn. I put it on and smelled the sharp, fresh scent of new wool and it felt so snuggly and cocoon-like.

And then when I was reaching into my drawer for my earrings, I noticed this blue jay pin I love but haven’t ever worn much, either, and I put it on the sweater. And it looked like it was made for that sweater, like, how could I not have put these two things together before?

A tiny thing, yes, putting a pin on a sweater. But tiny bits of newness can be powerful. Because I’ve never put this sweater and this blue jay together before, they are already creating a tiny new alchemy that is about now, not then. Good to notice as the old stuff comes up to be kissed goodbye and released.

Try this: Experiment with tiny change. Move two tiny things in your house to new places, or put two things next to each other that have never shared the same space before. Notice what this tiny change sets into motion for you.

Coaching in the New Year: I have limited open slots for new coaching clients. If change is on the horizon for you, or you’re already knee-deep in it and need some support, check out my one-on-one coaching. Consultations are always free!