There’s Enough Time. Really.

December 10, 2011 / Jill Winski / 8 Comments

This week, I had quite a few conversations with creators around the idea of time. The general consensus seemed to be: There’s not enough. I have too much to do — which, by the way, I wish I’d done ten years ago — and there’s too little time in which to do it. Frequently when I hear people say this, I want to agree with them, so they know that I sympathize. “Oh, I know, isn’t it true? There’s just not enough. There’s too much to do. No wonder I can’t get to my (fill in the blank — novel, artwork, yoga, relationship).”

Here’s the thing, though: It’s not true that there isn’t enough. Whether we’re talking about time or money or love.

What we really mean when we say “There’s not enough time” is: I’m trying to outrun my painful thoughts about not accomplishing enough. I’ve got to hurry up. So let me add more and more to my to-do list, so I don’t see more evidence for what I haven’t accomplished. If I can get it ALL DONE, I’ll feel better.

Do you see how backwards this kind of thinking really is? (Because, fellow creators, it doesn’t come down to time — it comes down to our thinking. Always.) The thought “There isn’t enough” creates feelings of urgency, anxiety, sadness, regret. In a nutshell, fear. Then we take desperate, urgent, anxious actions based on these feelings. And no matter what results we get, they don’t feel like enough, because all of these results have, as their backdrop, the belief that there just isn’t enough. We’ve cycled right back into our original thought, and it all continues — no matter what we have, no matter what we’ve created, it isn’t enough, because our belief is that there isn’t enough.

Unless: We look at our thoughts about time. Is it true that there isn’t enough? How much time do I need to feel good about creating today? To feel good about anything today?

I’m going to suggest that the “time issue” is not about time at all. It’s really about our stressful thought that, at some point, our lives will be over and we won’t have done what we wanted to do with them. It’s really about our lack of self-acceptance, about the fact that we’re afraid to meet ourselves, to accept ourselves, exactly where we are. It’s about a belief that there’s a finish line we should have crossed years ago, and we haven’t even made our way to the starting gate.

What if we were to believe that what we need more of is not time, but acceptance — of ourselves, of our lives, of where we are, who we are, now? How would we move forward from that belief? If we are okay exactly as we are, my hunch is that we are more likely to create for thirty minutes today and celebrate that, rather than wait two years for the day when we have a block of six hours to create.

As my awesome mentor Jenna Avery says, “Start small and start now.” What we really fear is not that there isn’t enough time, but that we won’t accept ourselves if we don’t live up to our perfectionistic standards, if we don’t do more, more, more. Do me a favor: do less. Write for fifteen minutes. Sketch for fifteen minutes. Dance for fifteen minutes. And do it today. It takes no time to accept yourself exactly where you are, right now.

A couple of announcements, & gratitude!

November 22, 2011November 22, 2011 / Jill Winski / 2 Comments

A while ago, a coaching buddy of mine and I were talking about how it’s difficult to experience a feeling of abundance in our lives when we don’t take time to really feel it, don’t slow down enough to be with it, don’t take a moment to say “thank you.”

I can forget. I can get so focused on what I don’t have that I get into “lack” mode. And then I see evidence of lack, everywhere. When I remember, when I notice what I have been given — often with no conscious effort on my part –I see evidence of this in my life, everywhere.

We can practice this. We can practice by noticing. Yesterday I noticed I was a little bit tired, and although I felt a tremendous urge to rush over to the computer to respond to email, I decided to sit quietly on my couch. My cat woke up from his nap, looked at me, and immediately came over and jumped into lap. I listened to his purr and felt it reverberate through my hands, my chest, my abdomen.

I breathed in the abundance of this moment. I was sitting on a soft down throw my mother gave me for Christmas last year. My living room felt warm, even though it’s in the 40s outside. The sun was sneaking out, after a clouded-over, gray morning. It felt good, to just be, to realize I had all I needed in that moment. And in this one.

Here’s to noticing what we have. Here’s to saying “thank you.”

And here’s to more abundance — a couple of announcements:

* Last week, I officially became a Martha Beck Certified Life Coach (woo-hoo!). In celebration, I’m offering four FREE half-hour coaching sessions — first come, first-served. Bring me any issue (it doesn’t have to be related to creativity, but it certainly can be) and we’ll do a little exploring and get you a little less stuck. To get your free session, email me at jillwinskicoaching@gmail.com and mention “free session” in the subject line.

* Also, I am super-excited to announce that I will be a coach for the next session of Jenna Avery’s Just Do the Writing Accountability Circle, which begins Nov. 28. I’d love for you to join us — it was the amazing encouragement of this circle that helped me finish a first draft of my novel last session, which I wrote about here. To sign up for the Writer’s Circle, click here. The last day to register is tomorrow, Nov. 23, so don’t wait!

Wishing you the gift of noticing what’s beautiful, good and right in your life.

Image is PUMPKINS © Paul-andré Belle-isle | Dreamstime.com

The Gift of Finishing

October 24, 2011 / Jill Winski / 4 Comments

This weekend I finished a first draft of my novel about a forty-year-old unemployed woman obsessed with the musical Cats who leaves her seemingly pretty awesome husband and rekindles a relationship with the crazy artist who made her life hell in her twenties. Whewwww. That was a mouthful.

Finishing the draft was a big deal. I wanted to pour champagne for my fellow participants in Jenna Avery’s Writer’s Circle, who encouraged me through the last ninety pages of this draft. I glowed to my boyfriend. I’m still trying to figure out how to reward myself (can Crystal the Monkey come over and play Galaga with me?).

I started writing this draft in October of 2009, exactly two years ago. I worked on it pretty regularly — okay, more off and on — for a few months. And then I started losing faith in it. I wasn’t sure what the story was about. This is really bad, I thought. And so it sat. And then I went back to it. And then it sat again. And so on. Until I started to worry it was “on the pile” — the pile of my unfinished novels. (This would have been the third.)

I don’t believe we need to finish everything we start. That’s a thought that can definitely be questioned. We can’t imagine every twist and turn our lives will take, how our experiences will shape us internally so that we may not want or need what seemed so vital five years ago. It’s okay to let go.

But I wasn’t happy that these last two novels had been abandoned about two-thirds of the way through. I was starting to think it was a pattern that didn’t feel good: When I feel stuck, I stop. I talked to Jenna in a coaching session and it came out that this last novel, I was kinda bored with. The voice didn’t seem quite right. I didn’t think I cared about the subject matter. The earlier novel, the second to last one, well, as I told Jenna, it scares me. It’s been sitting so long. I don’t even want to look at it. “That’s the one you need to finish!” Jenna said. And I suspect she is dead right.

So I resolved to let this last novel go and get back to work on the scary one, the earlier one. Only, the thing was, this last novel didn’t want to be let go. Hey you, it whispered to me while I was trying to fall asleep one night. I’m not letting you off so easy!

So when the opportunity to join Jenna’s Writer’s Circle arose, I decided I would use it to finish this not-quite-right, kinda boring book. I embraced Anne Lamott’s terminology, “shitty first drafts,” wholeheartedly.

And I learned something: This novel was also the scary one. My boredom with the book, my seeming apathy toward it, was a cover-up for fear. I didn’t want to go where the story wanted to go. I didn’t want bad things to happen to my characters. I wasn’t sure my writing muscles were in very good shape. And I wanted it to be good, dammit.

It was overwhelming.

So, with the daily structure put into place by Jenna’s group, I made my goals feel eminently doable: I’d write at least fifteen minutes a day, five days a week. Often, when I filled out my daily comments for the group, my negative thoughts were something like: I don’t know where to go next. It isn’t very good. And the killer: It’s not dynamic enough. I replaced them with: I just need to write the next sentence. It isn’t bad. And: Who am I to say what’s dynamic? I’ll figure that out in the next draft.

In noticing the thoughts that keep me from moving forward, I take the charge out of them. They are just thoughts. In doing this with a group, I saw that we ALL have roughly the same negative thoughts about our writing. The same fears. That took the charge out of it all a little more.

In forty-five days, I wrote ninety pages. I still have no idea if the draft is good. But by writing, by moving forward step by tiny step, I learned what the story was about. I got a clearer idea of what my characters wanted. And it wasn’t overwhelming because I didn’t have to do it all at once.

Most importantly (and this part makes me plain old tear up), I remembered the joy of disappearing into my story because I can’t wait to find out what happens next.

We can put so much pressure on ourselves when we create. As if, through our creating, we make the world turn. We can be easier on ourselves. We can show up, write for a while — take it sentence by sentence if we need to — and let the writing come through us. It knows what it wants to be. (“Listen to your broccoli,” says Anne Lamott in Bird by Bird, referencing Mel Brooks’ line, “Your broccoli will tell you how to eat it.”)

But we can also be gently firm with ourselves: by committing to a regular habit of creating. And we can get the support we need to keep that commitment.

If you are feeling massively stuck on a creative project — if you’re terrified to go near the thing or even to speak of it — you are exactly the kind of person I looooove working with. Check out my Free Creativity Consultations — I have some openings coming up.

Make Your Journaling Legit

September 27, 2011April 3, 2013 / Jill Winski / 2 Comments

For years and years and years, I’ve been a journaler. I can remember little diaries with locks and keys that my parents gave me when I was a child, with the words My Diary written in gold on their covers. At six or so, I filled the pages with sentences like “Today was good.” “I am sad.” “I love Rosie.” “Rosie loves me.” (Rosie was our dog and the subject of many of my — thankfully brief — early diary entries.)

When I was thirteen, though, I really started to journal. That is, I wasn’t just recording what happened that day — I was delving inward, trying to understand myself.

I have never, ever, had to force myself to journal. It comes to me as naturally as breathing. Anything goes in my journal, so I’m never concerned with whether or not what I write there is “good” or “right.” I have a compulsion to record, to notice, to reflect, to make connections. It’s a practice that grounds me and reveals me to myself.

It is different than, say, working on my novel. When I write fiction, I’m not delving into myself. When I write fiction, “I” disappear. Sure, all my experiences are there for me to draw upon, and they feed the fiction. But my novel is not concerned with my own self. It’s a story coming through me, filtered through my self, but really, I’m not creating it. I’m just the channel.

With journaling, I sometimes get to the place where I feel like a channel too. These are the sessions I call hardcore. As I wrote previously, I can get to a place where I know that if I allow myself to sit down with the journal, the floodgates will open. All the other days of showing up to the journal — maybe a lot of the time I’m just writing something like “I’m not sure what’s going on with me today, but I feel like crap” and going from there — allow for these glorious hardcore journaling sessions, where something I really need to know is moving through me, but I’m not controlling it. It’s usually the culmination of a lot of struggle, a lot of wondering, and a lot of surrendering — having to admit, hey, I don’t know. And then it comes through on the page and I do know.

When I was in grad school, in the awesome writing program at Columbia College Chicago, we used our journals to write about what we noticed in the published work we read, and what we noticed as we worked on our own stuff. There, too, I can remember connections being forged in a particular way on a particular day, and suddenly something I really needed to know about what I was writing would be apparent to me.

But in order to get to this place of connection, of that really cool thing opening up and coming through onto the page, I had to show up for all the days when nothing much seemed to be coming through. “I’m sad.” “I love Rosie and she loves me.” A lot of days, I don’t feel so different from that six-year-old. But it’s still important to show up, to fill the pages.

Sometimes I hear writers (including me) say, “Well, I didn’t do any real writing today. I mean, I only wrote in my journal.” Guess what? That means you did some real writing today. Recognize your journaling for what it is: It’s legit. It’s real writing, and connected to all the other writing you do. Make room for it, learn from it, be totally in love with it. It’s you.