Allowing your idea of success to change (as you do)

July 12, 2013 / Jill Winski

This post is part of The Declaration of You’s BlogLovin’ Tour, which I’m thrilled to participate in alongside over 200 other creative bloggers. This week’s theme is “Success.”

When I was eighteen, I visited New York City for the first time. (Technically it was the second time, but the first time I was three and literally all I remember from that visit is staring at an array of pastel-colored plush kittens in a little shop that also sold candy and newspapers, and crying because I couldn’t decide which color of kitten I wanted. Ultimately I chose yellow).

My best friend had an audition for music school there, and my father and I journeyed to NYC from our home in the Chicago suburbs to hang out with her during her audition process, and SEE THE BIG CITY.

Although I lived in the Chicago area, my life was suburban. Only very rarely at this point had I ventured into the actual city of Chicago, to see a Cubs game or go to a museum. But New York! As a diehard fan of Woody Allen movies, New York City was a place I was, surely, born to experience.

I loved it. I saw “Cats” and “A Chorus Line” on Broadway (yes, this was a long, long time ago), and hung out at coffeehouses and saw iconic landmarks I’d only seen in movies. I even had a celebrity sighting – film critic Gene Siskel (ironically, a Chicagoan and to me right up there with Bruce Springsteen in terms of awesomeness) walked right in front of our hotel.

That was it, I decided then and there – I was destined to live in New York City! There, I would experience success. There, I would experience BRILLIANCE!

My friend got accepted into music school in NYC, and although I was starting college as a theater major at Indiana University in the fall, I was now convinced New York was the place for me to be. Over the next several years, I visited my friend in New York from time to time and we kept scheming on the phone about how, after college, I’d join her there.

Except that didn’t happen. Every time I went to New York, I had tons of fun and I loved being with my friend and pretending I was in “Manhattan” or “Hannah and Her Sisters.”

But I never truly considered living in New York City. I never seemed to take any concrete steps to get myself there.

The reality, at this point, was that I had set up a life for myself in Chicago. And I liked it. A lot. But, Chicago was no New York, my brain nagged, and some part of me believed that I was “playing small” and somehow not living the life I was meant to live by remaining in Chicago.

At twenty-six, I visited my friend in New York for what turned out to be the last time. And, for the first time, I didn’t like it. It felt overwhelming, loud, and expensive. I listened to my friend complain about her exorbitant rent fee and endured shoulder-to-shoulder subway rides I’d once found exhilarating.

On a cab ride, I rolled down the window and peered out and the city rose up around me, beautiful and decadent and amazing. And I still loved New York. I just didn’t want to live there. After eight years of believing I wanted to live in New York, I had to tell myself the truth — I was perfectly happy where I already was.

We do this to ourselves – we fixate on an idea of what it means to be successful, to “live in the big city,” to have the stellar career (whatever it may be) that has us leaping into the stratosphere.

And this is good – it’s part of discovering ourselves. It’s part of listening to our longings and yearnings and understanding what they mean.

But sometimes our longings and yearnings point us toward something not so we can do it or possess it, but so we can own the qualities it represents to us in order to be who we are.

Our definitions of success are usually strongly merged with our perceptions of ourselves. This is why when we talk about success, we’re often really talking about identity, about what we know about who we are.

So at age eighteen, my definition of success was something like “being a sought-after actress who lives in New York City.”

Twenty-plus years down the road, my version of success is radically different — today, it’s “knowing and understanding myself better and better, and helping others do the same.” (Read more about defining your version of success, here.)

When it comes down to it, for me, success is a feeling within me that reinforces to me who I truly am.

Something about New York City – its aliveness, its diversity, its bigness, its vibrance – felt like what I wanted. And I thought I needed to live there to have it.

But as I began to recognize that that same aliveness, diversity, bigness and vibrance that I associated with NYC was actually within me already – as I started to own those aspects of myself – I no longer needed to be in New York to feel that way.

As a coach, so often I see clients cling to a dream, to a version of success, that they have started to outgrow, or that they’ve always been sure they need in order to be happy. But they’ve never really asked themselves if this is actually true.

How do you find out if you really want that thing?

By asking yourself how you think you would feel if you had it.

It’s the feeling of having that thing that you want, not necessarily the thing itself. (Get really specific here about what feelings you think having that thing would bring you.)

Once you’re in touch with the feeling you want – once you realize you can generate that feeling inside yourself without any particular circumstances attached to it – ask yourself if you still truly want that thing, if that “thing” is still a valuable part of your path. The answer may be “yes.” And if so, go for it!

But you may find out it’s like me and New York City: it may be something you thought you needed when you didn’t know yourself as well as you do today — when you simply weren’t owning the brilliance that, today, you know you possess. Whether you live in New York City or Timbuktu.

What about you? Are there any old definitions of success you’re ready to let go of? Does your current definition of success support who you are today? I’d love to hear, in the comments.

(Below, living vicariously through Woody: I still love New York.)

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The Declaration of You, published by North Light Craft Books and available now, gives readers all the permission they’ve craved to step passionately into their lives, discover how they and their gifts are unique and uncover what they are meant to do. This post is part of The Declaration of You’s BlogLovin’ Tour. Learn more – and join us! – by clicking here.

Image is “Rainbow Over Manhattan” © Andrew Kazmierski | Dreamstime Stock Photos

Don’t forget to check inside

July 6, 2013 / Jill Winski / 2 Comments

As part of my practice of observing my thoughts and feelings and the patterns they create, I’ve noticed an interesting thing lately: I feel more upbeat, hopeful, and just plain happier, in the early part of the day.

Part of this is just my own personal rhythm — my most energetic time of day tends to be between about 9 a.m. and 3 p.m. But it’s something else, too.

I start off almost every day with a walk (only in the most extreme weather do I forgo my daily walk). Depending on what I have to do that day, the walk (which I combine with getting my morning coffee) is anywhere from fifteen to forty-five minutes long.

My walk is all about noticing — the morning sounds of traffic and squirrels and birds, the feel of the sidewalk beneath my sandals, the super-slow beetle who somehow avoids being crushed by pedestrians as he makes his journey from one side of a cement square to the other. I also notice what’s going on within me — am I sad, joyful, serene? Are my thoughts fixated on that interaction I had yesterday that felt kind of icky? Am I grinding my teeth again? Did I get great sleep, or not quite enough?

When I return from my walk, I do a few minutes of journaling (or morning pages, as Julia Cameron calls them) and record anything I noticed on the walk, anything really taking my interest and “up” for me.

Then, I’m ready to start my day, and most of the time, not always, but frequently, I feel really good.

At 7 p.m., not so much. That 6 p.m. to bedtime window tends to be the toughest time of day for me. Why?

It’s taken me a while to get this, but I understand now.

Evening time is iPad time for me. I “reward” myself for doing my priority stuff during the day by sporadically checking my iPad throughout the evening. Some of this is fun and feels good; much of it involves checking Facebook, Twitter, and various blog articles; getting caught up in trails of links from one blog to the next; absorbing lots of “expert advice” that may or may not apply to me; listening to recordings from classes and coaches and writers and others I’ve been meaning to get to.

All of this is good, to a point. Information can be profoundly helpful at the right times. And I think we all understand the dangers of information overload and the overwhelm it can wreak.

But the problem is not the information itself.

The problem is forgetting to check inside ourselves to gauge whether or not this information a) is worth our time, b) actually supports our own values, and c) actually applies to us at all.

The crappy mood I tend to get into in the evenings — so much to the extreme of my “morning self” — has much to do with the fact that, in the mornings, I make a conscious choice to connect with myself, to check inside. My morning walk, the steady repetitive rhythm of my steps, creates a great space in which to observe myself, while also connecting me to my surroundings, and particularly, the natural world.

In the evenings, I’m letting go of that conscious choice to check inside myself, and as a result, I turn into a kind of ping-pong ball bounced around by the information I absorb online. I find myself getting agitated, confused — this “expert” says to do this, and this one over here says the opposite; this friend on Facebook is annoyed that people are posting X, while this other friend wishes people would post more of X; this writer seems to know a lot about X and has tons of followers but in fact I feel depressed every time I read one of her posts.

It’s a lot to take in — and a lot of it doesn’t matter.

In the morning, I reconnect with me. I remember to check inside. I realize what I really value and what I don’t. I’m able to make a distinction between what information is helpful and what isn’t, and how much information is too much. I remember what’s true for me.

Can I carry that morning connection I establish with myself into the evening? Can I unsubscribe from lists that don’t add to my life, even if some panicky part of me believes this information is “practical” and I “just might need it someday”? (No matter how “practical” information is, if it doesn’t feel good and right to me, it’s not practical for me.)

Tonight, I’m going to begin an evening ritual of reconnecting to myself. This doesn’t mean I won’t pick up my iPad — I have a lot of fun there. It just means my evening intention will be to notice how I’m feeling when I absorb information, and to recognize I can choose to reconnect with myself at any moment. Information can be helpful, even crucial, but only when I’ve established a solid connection with my own inner compass first.

(And by the way, some of what I connect with online definitely helps me reconnect to myself — and certainly helps me connect to others. I love many of the ways I connect online. The important thing is to notice, to check in.)

What about you? How do you remember to check in with yourself in a world where it’s increasingly easy to look outside ourselves for advice, for “the truth”? I’d love to hear, in the comments.

Image is “A Walk in the Park” © Janet Best | Dreamstime Stock Photos

Two ways to deal with “idea paralysis”

June 25, 2013 / Jill Winski

A while ago, I had a session with someone who had so many ideas, she felt paralyzed as to which to choose and where to begin. Every time she took a little action on an idea, another one of her ideas started to haunt her and she was sure that one was better. So she’d stop working on the current thing and start this other thing. And then the other thing wouldn’t feel quite right, and some shiny new idea would start hovering and she’d drop the current thing and start in on the shiny new thing. And so on.

I so relate to this. It doesn’t happen to me that frequently, but when it does, it is crazymaking. What’s going on when we’re knee-deep in a sea of ideas and we just can’t choose, or stick with one long enough to bring it to completion?

For me, there are one of a couple of things happening:

1) Perfectionism has reared its oh-so-troublesome head.

We’re wanting the idea to be the be-all and end-all of ideas, rather than a stepping stone to what the idea can become. There’s no way an idea won’t transform as we work on it, so most of the time, it’s not going to stay the same as the seedling in our heads. But if we have perfectionistic tendencies, we want to know it’s going to be great, it’s going to knock everybody’s socks off. We can’t know that at the beginning of the process. We can’t know that at the end of the process.

Our own interest in the idea has to be enough. The only thing we have an absolute guarantee of is that we will check in with ourselves about how we are responding to our idea, from day to day. And I can guarantee you that our relationship to it will change from day to day, week to week.

Perfectionists often feel “it’s not quite right, so I’m not ready to begin.” My question to perfectionists (and that includes myself!) is: Is there enough here for me to work with? Is there enough here to sustain my interest, for now?

When I was in college, I had a screenwriting teacher I remember really well because he talked a lot about things that I sensed were true, but didn’t yet have the life experience to know were true. He looked at twenty or so pages of the screenplay I was writing and said, “You don’t have to telegraph your themes to the audience. The themes that are important to you as a writer are going to be there because they’re important to you. They can’t not be there. So stop telegraphing your themes and just tell the story.”

This felt like a huge relief. And I think this applies to those of us who struggle over choosing the “perfect” idea. No matter which idea we pick, the common theme behind it is going to be US. Just because you decide to tell the story about the guy who goes fishing with his estranged father instead of the story about the woman who learns her teenage son is in trouble with the law doesn’t mean your usual themes of loss, loneliness, heartache and redemption are not going to be there. They’ll be there because you will be there.

So relax. You, and the things that are important to you, will be there, in spades, no matter what path you choose.

And, on the flipside:

2) You may be knee-deep in ideas because you are only knee-deep. And what you really need is to be completely submerged in one idea, so your heart is engaged. In other words, there may be a bunch of ideas swirling around your ankles but they’re not really involving the whole of you, so it’s easy to jump off of one and onto another.

I’m reminded of someone I know who, many years ago, was caught up in romantic involvements with two different guys. Time went on and on, and she just couldn’t decide between the two. Finally, she ended both relationships, realizing that neither of these guys was a “hell, yes!” for her and that was why she couldn’t decide. The question wasn’t actually “which of these men is the better choice?” but “who am I and what do I really care about?”

If you’re flitting from one idea to the next, stop. Take some time out and ask yourself, what do I really want? Why am I doing this (writing, artwork, coaching, whatever it may be)? How can you engage the whole of you — starting with your heart, which tells you what you care about the most — in your creative process? And go from there.

Looking at it this way, you’re not choosing the idea so much as letting it choose you. And when something chooses us, there’s no contest.

(On this topic, I highly recommend Miranda July’s wonderful memoir, “It Chooses You.”)

Do you struggle with “idea paralysis”? How do you decide which idea to choose? Or do you let it choose you? I’d love to hear, in the comments.

Work With Me: I have a couple of openings for new coaching clients, starting in July. Interested? See if we might be a good fit, here.

Honoring the pace of your dream

June 12, 2013 / Jill Winski / 6 Comments

Often I hear from my clients that their dreams are progressing much more slowly than they’d like. Because I love to work with people on clearing out the “stuck stuff” that keeps them from deeply engaging with their creative work (or play, as I prefer to call it), clients usually come to me when they are in this space. Either they feel disconnected from their creativity, or they are judging their process for being “too slow” and therefore creating a feeling of stuckness around their process.

Our creative projects, our creative visions and dreams, have different ways of unfolding. Some of these unfold very quickly, so quickly it can feel frightening. I remember writing a short story that poured out of me so fast I felt like the top of my head was going to come off. Truly, it felt like I did not “write” this story — it had its own momentum and its own timing, and that happened to be an extremely fast “birth” from inside of me into the physical world.

I’ve experienced this type of velocity with other creative projects, but more often than not, the pace of my creative projects and dreams tends to be much slower. When the dream is large, like writing a book or creating a business, we often have a huge learning curve, even if it is something we’ve done before. The new book (or business) is a completely different entity from the old one, and the guideposts we created in the process of doing the previous thing may no longer apply. We must discover new ones.

It’s important to accept that we are not necessarily in control of the pace of a creative project. I know that can feel frustrating to hear when we have deadlines we want to meet, or if we feel we haven’t put our creative work into the world as much as we’d like, but it’s still important to honor. My friend and fellow writer and coach Terri Fedonczak (with whom I participate in Jenna Avery’s Writer’s Circle*), often said during the process of writing her forthcoming book, “I am not the timekeeper.”

I love this. It’s true — we can plan and plan, but within each creative dream lies the knowledge of its own unfolding. When we allow a dream to unfold at the pace that feels right and juicy to us — no matter how slow or fast we judge it to be — we are creating a solid foundation for that dream. We’re creating a dream that’s got legs.

If we rush our vision, or, at the other extreme, try to halt its momentum because the momentum is unsettling to us, the project can either burn itself out before it has a chance to truly take root within us, or lose its glow for us because it’s not allowed to fly as fast as it wants to.

If the process of creating your dream feels like it is moving too slow, ask yourself:

* Slow by whose standards?

* Why do I think I need to move faster? What do I believe would be gained, or lost, by moving faster? Is this true?

* Do I have enough support (inner and outer) for this project or dream?

* If I totally trusted myself and the unfolding of this dream, would I be okay with this pace?

If your project, vision or dream feels like it’s moving too fast and you’re getting scared, here are some things to remember:

* It’s essential to develop a practice of grounding and centering yourself regularly, particularly if you are highly sensitive. Your nervous system is going to be more reactive to rapid change than that of the “average” person, and you are going to need to practice radical self-care now more than ever.

* It’s important — and totally valid — to feel safe. At the same time, we can feel unsafe when in fact we truly are safe. Ask yourself: How can I create a feeling of deep inner safety for myself, even if my external world feels like it’s moving too quickly for me right now?

* When change is moving quickly — and that change feels like it is good for us — we are also growing and changing very quickly. When I’m in a period of rapid change, I know that the “me” who does not feel capable of handling the change today will be more than capable of handling that change tomorrow, or tonight, in the moment I am called on to handle it.

Accepting the pace of our dreams starts with deep self-acceptance. When we’re not accepting of an aspect of ourselves, we are going to project that onto our dream and thwart the growth of that dream.

Think of your creative dream as a child: some kids need lots of time to play in blissful solitude; others run right out into the throng and play until they drop. If the kid who needs to play mostly alone, at her own pace, is forced out into the throng, she suffers and withdraws. If the kid who wants to immediately join the pack and play hard until the sun sets is forced into slower, solitary play, he feels isolated and suffers.

If you can accept your own needs AND the needs of your particular vision, your dream will unfold in a way that’s good for you AND the dream.

How do you deal with the unfolding of your creative projects? What have you learned about yourself along the way? I’d love to hear in the comments.

Work With Me: Need some support in allowing your creative vision to unfold? I have openings for new coaching clients. Find out more, here!

*And: Tomorrow, June 13, is the last day to register for the next session of Jenna Avery’s Writer’s Circle. If you’d like to develop a more regular writing habit with group support, check it out here.