A journaling experiment for the New Year

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I’m staring out my window taking in the snow-globe-soft snow that’s falling in the street light, thinking about what I’d like to share as this New Year begins.

And what I most want is to help you trigger some discoveries for yourself this year.

I’ve never been much on resolutions, but I do love open-ended intentions, or simply focusing on things that hold mysterious and positive questioning for me.

So here’s a little experiment I tried in my journal yesterday, and I thought I’d share it with you — if it feels good, see if it sparks anything for you as you move into 2014.

Step one:

Look around the room you’re in right now, or out your window if you’re near one. Choose three objects that light you up, that resonate for you in some way. Not necessarily the objects that you “like” the most, or are the most beautiful, but the ones that speak to you or call to you or trigger something in you that feels good.

Step two:

For each object, write down three adjectives that describe the object. (Hint: it helps if the adjectives work on two different levels — i.e., “solid” as opposed to “brown”.) Quick, off the top of your head — don’t think too hard about this! Do this for each object, one right after the other.

Step three:

Look through your list of adjectives — you should have nine words total. Pick the three from this list that resonate for you the most. Again, don’t think too long about this — pick the ones that jump out at you, quick!

Step four:

Take your list of three adjectives and look at it for a few moments. Now you can slow down a bit and get reflective. These words represent qualities that mean something to you, qualities you may want to bring into your life in 2014. 

Take out a fresh piece of paper and write each of these words across the top of the page. Now, draw an arrow from each word down the page and come up with at least one way you’d like to bring each of these qualities into your life this year.

Let your intuitive self take over here — allow yourself to make unexpected connections.

For example, one of my objects was the ceramic deer pictured above. It sits on my desk beneath my computer screen. The words I got from it were wide-eyed, healed (it has a broken ear that I’ve glued back on) and plump.

I like all of those words, but “plump” jumped out at me as the important one, so it went on my final list.

My logical mind thought, plump? Really? But intuitively, I know that plump, for me, represents robustness, stability, exuberance. How can I bring more of this “plumpness” into my life this year?

The first thing that popped into my head was “play around with more physical exercise.” So I wrote that down. (Ah, a clue! Any new form of exercise I try out needs to feel like play. And isn’t it funny how the idea of bringing MORE “plumpness” into my life — not less — led to me to exercise?)

Actually, I love “wide-eyed”, too. I want to face this year with even more curiosity, beginner’s mind, and freshness. How can I bring this wide-eyed quality into my life this year? The first thing that comes to mind is “Slow down and listen even more closely when people share with you.” Yes. That feels right.

If you give this a try, I’d love to hear how it went for you, in the comments.

Wishing you a beautiful start to your 2014! Whether we connected here on my blog or we worked together or we’re only “meeting” now for the first time, I’m truly grateful you’re a part of my experience as the New Year begins.

Merry Christmas + tons of permission

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As I was thinking back over 2013 and touching base in my heart with all the amazing people I connected with this year, I noticed that so often the one thing we forget to give ourselves is permission.

When fear comes up, we have this tendency to skip the step that says, “This is what’s happening for me right now, this is where I am and how I feel. And I have permission to be here, feeling all this and being where I am.”

We want to jump over this uncomfortable, vulnerable space. It feels out of control, it feels like the unknown, and we’re not sure anyone else would get it if we shared what’s happening for us.

As a coach, I have the honor of working with clients who are in this space. And I feel it’s my responsibility to let them know that, whatever’s happening for them, it’s totally legitimate and they have total permission to be there. For as long as they need to be there.

Usually, though, we’re in a hurry to get out of this space. Mostly because we think being here means something is wrong. It doesn’t. It means we’re getting ready, preparing for that next right step to reveal itself, letting go of anything that would be incongruent with us being where we need to be next.

What we need during these times is space around everything we’re feeling, everything we’re letting go of, and the trust that whatever’s happening within us — and without — is in motion. It’s not static; it’s constantly changing, if we can create enough space around it to really observe it.

So, my gift to you this Christmas: tons of permission! Yes, it’s truly okay — in fact, it’s necessary — to be on whatever step you’re on right now. Nothing is wrong and your timing is perfect.

What if you didn’t need a reason?

Happy Fall!

Last week, I was talking with the wonderful business coach Kristin Stevens, and I kept telling her about various things I wanted to do, and prefacing them with, “For some reason.”

“For some reason, I want to move into a smaller apartment.”

“For some reason, I want to streamline and simplify my life.”

Now, some coaches would have gone right to “Okay. Why? Let’s get clear on the reason.”

I would have gone there, if I were coaching someone. And it can be a good way to go.

But Kristin said, “You keep saying, ‘For some reason.’ What if you didn’t need a reason?

This stopped me. Because, in this case, I already feel clear. I already know that something in me wants to do these things — but my rational mind tells me I don’t have a good enough reason to do them.

For years, I lived in small apartments and had a great need for more space. In 2005, I moved and got the space I wanted. For the past eight years, I’ve lived in a beautiful space where I have plenty of room.

But now it feels oddly too big, like I’m a kid clomping around in my dad’s work shoes. And I realize I’ve filled it up with things I no longer necessarily want or need.

When I moved here, I had this idea of a life I thought I wanted. But now I realize that maybe that life was about who I wanted to be back then, and not who I actually am today.

My rational mind says, “But why would you want to go back to living in a small space? Isn’t that going backwards?”

Is it? I’m not sure it’s a good question, in this case, because questioning my desire is only keeping me in wheel-spinning mode. A good question sparks curiosity and creates spaciousness and movement.

That’s how I know Kristin’s question — what if you didn’t need a reason? — is a good one for me here.

If I didn’t need a reason, I’d start making plans to move. If I didn’t need a reason, I’d free up my energy to focus on things that are more important to me at this point in my life than having a larger living space and the maintenance that goes along with it.

It’s telling that a while ago on Pinterest I created a board called Cozy Spaces. Something in me longs for cozy right now. Why?

Do I really need to know? What if, in fact, I can’t know the answer to that question until I move toward what I’m longing for?

The nudges I get from my intuition feel simple and straightforward. “Do this.” Or, “Don’t do that.” Or, “Wear something blue today.” “Call about that class.”

Intuition doesn’t explain itself. It lives in the world of trust, not the world of guarantees. And often, when I’m clear but I’m still not taking action on that clarity, it’s because I want a guarantee. I want a guarantee that the direction my intuition is pointing me in will be pain-free, that if I go there, “everything will work out.”

Experience tells me there is no such guarantee. Sometimes, I think I am waiting for clarity but it has already arrived. The truth is, I’m not waiting for clarity — I’m waiting for that guarantee.

“Why?” is a good question if it creates more clarity. But if I’m already clear, I don’t need to ask why. I need to act on what I know.

What do you think? Do you ever second-guess the next step that comes to you from your intuition? I’d love to hear how this works for you, in the comments.

Image ©Jill Winski 2013

Trusting in where your energy takes you

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One day last week I sat down to write and felt distracted. This is not uncommon. I often experience resistance, confusion, tedium, and occasionally even dread, when it comes to working on my novel.

In fact, I don’t usually call it (in my own head at least) “working on my novel” anymore. I call it “playing with my novel.” This feels much lighter and opens up possibility, curiosity, excitement. When I make it less grave and serious, I’m more in touch with why I actually want to do it in the first place.

That said, sometimes I feel stuck and it feels hard. And I hang in there with it anyway, because it is a commitment. And because sometimes I reach that lovely place of getting lost in my story. And the more I practice hanging in there with it, the more I reach that place.

But on that day last week, something else was going on. I sat and I sat and I sat, and I wrote and revised and tinkered. But my energy was not with the writing. I had the odd sense of pushing something away.

I glanced over at my open notebook, to some morning pages I’d done the day before. Jotted in the margin at the top of the page was a reminder to call a friend of mine, a dear friend whom I’d been meaning to call for a while. But I’d been putting it off because, although I knew that talking to my friend would be nourishing and fun, I’d told myself that she was probably busy and wouldn’t have much time to talk, anyway. I kept telling myself I’d wait and call “when we were both less busy.”

Now, the reminder note jumped off the page at me. And I realized that there was a ton of energy in calling my friend right then, right in that moment.

So, I stepped away from my computer and dialed my friend’s number. She was home and said she’d been thinking about calling me, too — that very morning. But she figured I was probably busy with coaching or writing and she’d wait to call me until the weekend.

We talked for an hour and it felt soooo good. It filled my creative well to — at least — a 10 (read Julia Cameron’s The Artist’s Way to find out more about the creative well). You know those friends who accept and love you so deeply that it doesn’t matter what’s happening for you, or not happening for you, because the connection is about your very essence? That is this friend, for me.

And something important came out of this call. I realized that I often make an assumption that the people I care about are busy and they need to “fit me in.” And this assumption is not reality. In fact, my friend was making the same assumption about me, but in truth I would have welcomed a call from her.

After we talked,  I returned to my novel with a sense of lightness and new possibility, and I no longer had that nagging sensation that there was something important I wasn’t attending to. I could give the writing my full attention.

If I hadn’t followed my energetic pull toward calling my friend, I would have missed out on that connection and that insight.

And yet, my rational mind wondered if I wanted to step away from the novel simply because it was hard and it was my way of “procrastinating.” It can be tempting to “power through” at these times, no matter what. And that’s not necessarily a bad thing to do when we’re developing a habit, whether it’s writing or something else.

But we get to the good stuff in life by acting on what feels juiciest for us in the moment. I don’t mean by acting on our every impulse, but by following our intuitive urges. Often, it’s as simple as asking, “What would light me up right now?”  On that day last week, contacting my friend was that thing. It was “up” for me, calling out for attention. And I needed to listen.

Sometimes, our “creative work” can serve as a means of avoiding doing our inner work. Just as we can avoid our creative work, we can also use our creative work to avoid — or push down the list — other things that are vital to our well-being. Like our relationships. Most particularly, our relationship to ourselves.

So notice the quality of your energy as you create. Is the creating connecting you with yourself, with the world, with that beautiful mysterious space we go to when we create — even if it’s a huge challenge at the moment?

Or, do you have the sense that you are using your writing, artwork, business brainstorming, or whatever it may be, to push something else away, as I did last week? Just notice. You don’t have to stop what you’re doing. Just tell yourself the truth, whatever it is for you.

Because, ultimately, creativity is being connected to what’s true for you in the moment. Because that is when you are most you. And that is what I wish for you — that you be most you as often as possible. That, more than anything else, is your gift to the world.

Image is “Leaf on Steel” © Chris Mccooey | Dreamstime Stock Photos

What gift can you give yourself?

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Sometimes I start my day with this question: “What gift can I give myself today?”

On some days, a particular word immediately comes to me. Yesterday it was “stretch.” And I knew I wanted to move my body, so I went for a morning walk, even though we had a sweltering day here.

On another level, I knew stretch meant something else. And I made a phone call I’ve been putting off for a while — the conversation was going to be a stretch for me, but since “stretch” was the gift, I knew it would be okay. And it was.

Sometimes a word doesn’t immediately come to me. So then I let an image bubble up in my mind’s eye.

Once, I saw a heart, with wings. I wasn’t sure what it meant at first, but then some words came to me: courage, Cowardly Lion courage. And flight. On that particular day, flight meant literal flight — I gave myself permission to take a trip I’d been on the fence about, and booked my plane ticket.

And permission is another one. It’s one of the most powerful gifts I can give myself, but I have to be reminded of this often. And, I need to get specific about it. Permission to what? Once, I asked this question and an image of me sleeping bubbled up. I needed permission to rest that day.

Another day I asked, permission to what? And an image of me reading from my novel-in-progress to a large group of people bubbled up. Ahhh. Permission to be seen.

What other gifts have I given myself? The gift of endings, of allowing things to end — even things that have been a success and are still successful. The gift of beginnings, of stepping into what is new, even when I’m unsure of the first step and the second is hazier still.

Some of my favorite gifts are curiosity, wonder, and play. Sometimes the gift is tenacity. Sometimes it’s sovereignty. Sometimes the gift sounds something like “no ground to give.” And I know I want to focus on holding boundaries that day.

The gift can be something concrete and material as well. One time the image that came to me was of an exceptionally gorgeous journal I’d seen in a shop down the street. It had a filigreed gold cover with a turtle on it. The journal was expensive and I knew I didn’t want to spend the money on it right then, but the image of the turtle reminded me of my belief in taking slow, steady steps; that so many of our worthwhile journeys are marathons, not sprints.

One day last week the gift was “soft.” I was feeling extra-hard on myself that morning and my energy felt tight, rigid. I knew I needed to shift into soft energy. And I moved through my day with so much more kindness toward myself, and therefore, toward the world.

That is why I make my focus what I can give to myself. I like to think I’m pretty good at giving to others, but in truth I can’t give what I don’t have.

Want to try it? What gift can you give yourself as you move forward in your day?

Work With Me: I have openings for new coaching clients beginning in September. Need some support in connecting with your gifts? Check out my offerings, here.

Image is “Swirl Gift with Echo Blur” [cropped] © Patricia Ulan | Dreamstime Stock Photos

A two-step journaling process (for when you’re feeling stuck or scared)

“My writer self is braver than the rest of me.” — Natalie Goldberg

On one of our recent group calls, a fellow participant in Jenna Avery’s Writer’s Circle asked me how I use journaling when I’m feeling stuck on my fiction writing. I thought I’d share my process, in case others might benefit from it.

My journal is one of the safest spaces I know.

And I’m someone who’s struggled a lot with safety. (I remember when I was an undergraduate, a teacher had us do an exercise that started with the sentence “Imagine you’re in a safe space.” At that time, I literally could not think of a safe space, so I couldn’t go on with the exercise.)

Safety is important. We’re often told to “take creative risks” and “really put ourselves out there,” but we’re doing ourselves a disservice if we pretend that isn’t scary, if we pretend that we feel safe, when in fact we do not. Nothing creates a feeling of stuckness like pretending we feel differently than we actually do.

So, a lot of the time, when I’m feeling stuck or scared as I’m trying to write, it’s because I’m not feeling safe.

Safe to what?

Safe to explore. Safe to write the worst crap imaginable. Safe to share only what I’m ready to share. Safe to be with the discomfort of whatever’s coming up for me. Safe to write that thing that brings up the pain of the past.

So getting away from my document on the computer (which can feel so oddly “formal”) and going to my journaling notebook is STEP ONE of creating safety. I think of the journal as a room, a room where there’s only me (and anyone else with whom I feel completely safe).

From this point on (STEP TWO), I ask myself questions on the page.

Any of the following questions are good jumping-off points.

* What do I really want to say that I’m not allowing myself to say?

* What’s the worst thing that can happen if I write the thing I’m afraid to write?

* Why don’t I want to write this thing?

* What’s the worst thing that can happen if I make a wrong turn?

* Do I actually need to step away from the story right now? (If the answer is yes, follow this one up with “How can I make that feel okay?”)

* Where is the tension (fear, stress, sadness) located in my body right now? If that tension had a voice, what would it say?

* What does this particular feeling of stuckness remind me of?

* If I had a guarantee that no one but me would ever read this writing, what would I write now? (This one can really point us to where we are censoring ourselves.)

* Am I truly ready to write this story? Why or why not?

* If I honestly don’t know where to go with the story right now, how might I open myself up to all the possibilities?

Take one of these questions, and run with it. Don’t deliberate too much over which question to choose — they’re all designed to create movement, which is what we need when we’re feeling stuck. Go with one of the questions and keep writing until you feel ready to stop. Often, new questions arise for me while I’m writing, and I ponder those, too, on the page.

A page from my journal: answering the questions, + doodling

A page from my journal: answering the questions, + doodling

This process does not have to take a lot of time — I often do it in ten minutes or so. The idea here is not to find the perfect answer to the question (there isn’t one). The idea is to dig beneath your surface “stuckness” and generate a new perspective. “Feeling stuck” is nothing more than believing something about your writing or yourself that is not helpful.

You can probably come up with other, better questions. Make a master list of them and have it on hand for times when you’re sitting in front of the computer and the sweat on your forehead feels like blood. We don’t have to make the act of writing so dramatic (put that drama on the page!).

(By the way, you can transfer this process to any art form, or anything at all that you’re feeling stuck on.)

What do you do when you’re feeling stuck on your writing, artwork, or any other creative project? Please share in the comments!

On that note, Aug. 15 is the last day I’ll be offering my Free Mini Unsticky Sessions! (I’ll be offering them for a low cost, in a slightly different format, after Aug. 15.) Want to grab one? Check them out, here.

And: This Thursday, Aug. 8, is the last day to register for the next session of Jenna Avery’s Writer’s Circle. I’ve been a member of this group for going on two years now (I’m also one of the coaches) and it’s been an amazing source of support for me. Interested? Read more, here.

Allowing your idea of success to change (as you do)

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This post is part of The Declaration of You’s BlogLovin’ Tour, which I’m thrilled to participate in alongside over 200 other creative bloggers. This week’s theme is “Success.”

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When I was eighteen, I visited New York City for the first time. (Technically it was the second time, but the first time I was three and literally all I remember from that visit is staring at an array of pastel-colored plush kittens in a little shop that also sold candy and newspapers, and crying because I couldn’t decide which color of kitten I wanted. Ultimately I chose yellow).

My best friend had an audition for music school there, and my father and I journeyed to NYC from our home in the Chicago suburbs to hang out with her during her audition process, and SEE THE BIG CITY.

Although I lived in the Chicago area, my life was suburban. Only very rarely at this point had I ventured into the actual city of Chicago, to see a Cubs game or go to a museum. But New York! As a diehard fan of Woody Allen movies, New York City was a place I was, surely, born to experience.

I loved it. I saw “Cats” and “A Chorus Line” on Broadway (yes, this was a long, long time ago), and hung out at coffeehouses and saw iconic landmarks I’d only seen in movies. I even had a celebrity sighting – film critic Gene Siskel (ironically, a Chicagoan and to me right up there with Bruce Springsteen in terms of awesomeness) walked right in front of our hotel.

That was it, I decided then and there – I was destined to live in New York City! There, I would experience success. There, I would experience BRILLIANCE!

My friend got accepted into music school in NYC, and although I was starting college as a theater major at Indiana University in the fall, I was now convinced New York was the place for me to be. Over the next several years, I visited my friend in New York from time to time and we kept scheming on the phone about how, after college, I’d join her there.

Except that didn’t happen. Every time I went to New York, I had tons of fun and I loved being with my friend and pretending I was in “Manhattan” or “Hannah and Her Sisters.”

But I never truly considered living in New York City. I never seemed to take any concrete steps to get myself there.

The reality, at this point, was that I had set up a life for myself in Chicago. And I liked it. A lot. But, Chicago was no New York, my brain nagged, and some part of me believed that I was “playing small” and somehow not living the life I was meant to live by remaining in Chicago.

At twenty-six, I visited my friend in New York for what turned out to be the last time. And, for the first time, I didn’t like it. It felt overwhelming, loud, and expensive. I listened to my friend complain about her exorbitant rent fee and endured shoulder-to-shoulder subway rides I’d once found exhilarating.

On a cab ride, I rolled down the window and peered out and the city rose up around me, beautiful and decadent and amazing. And I still loved New York. I just didn’t want to live there. After eight years of believing I wanted to live in New York, I had to tell myself the truth — I was perfectly happy where I already was.

We do this to ourselves – we fixate on an idea of what it means to be successful, to “live in the big city,” to have the stellar career (whatever it may be) that has us leaping into the stratosphere.

And this is good – it’s part of discovering ourselves. It’s part of listening to our longings and yearnings and understanding what they mean.

But sometimes our longings and yearnings point us toward something not so we can do it or possess it, but so we can own the qualities it represents to us in order to be who we are.

Our definitions of success are usually strongly merged with our perceptions of ourselves. This is why when we talk about success, we’re often really talking about identity, about what we know about who we are.

So at age eighteen, my definition of success was something like “being a sought-after actress who lives in New York City.”

Twenty-plus years down the road, my version of success is radically different — today, it’s “knowing and understanding myself better and better, and helping others do the same.” (Read more about defining your version of success, here.)

When it comes down to it, for me, success is a feeling within me that reinforces to me who I truly am.

Something about New York City – its aliveness, its diversity, its bigness, its vibrance – felt like what I wanted. And I thought I needed to live there to have it.

But as I began to recognize that that same aliveness, diversity, bigness and vibrance that I associated with NYC was actually within me already – as I started to own those aspects of myself – I no longer needed to be in New York to feel that way.

As a coach, so often I see clients cling to a dream, to a version of success, that they have started to outgrow, or that they’ve always been sure they need in order to be happy. But they’ve never really asked themselves if this is actually true.

How do you find out if you really want that thing?

By asking yourself how you think you would feel if you had it.

It’s the feeling of having that thing that you want, not necessarily the thing itself. (Get really specific here about what feelings you think having that thing would bring you.)

Once you’re in touch with the feeling you want – once you realize you can generate that feeling inside yourself without any particular circumstances attached to it – ask yourself if you still truly want that thing, if that “thing” is still a valuable part of your path. The answer may be “yes.” And if so, go for it!

But you may find out it’s like me and New York City: it may be something you thought you needed when you didn’t know yourself as well as you do today — when you simply weren’t owning the brilliance that, today, you know you possess. Whether you live in New York City or Timbuktu.

What about you? Are there any old definitions of success you’re ready to let go of? Does your current definition of success support who you are today? I’d love to hear, in the comments.

(Below, living vicariously through Woody: I still love New York.)

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The Declaration of You, published by North Light Craft Books and available now, gives readers all the permission they’ve craved to step passionately into their lives, discover how they and their gifts are unique and uncover what they are meant to do.  This post is part of The Declaration of You’s BlogLovin’ Tour. Learn more – and join us! – by clicking here.

Image is “Rainbow Over Manhattan” © Andrew Kazmierski | Dreamstime Stock Photos

Overwhelmed? Step back, then scale back.

bench&sky

So I spent the last three days trying to write a blog post. Now, I happen to truly enjoy writing blog posts. I look forward to writing them. They are fun and exciting for me, because I’m always discovering something about myself while I write them. Discovery! So much a “why” for me when it comes to writing.

And usually I can sit down and write a rough draft of a post in about an hour or so. The process doesn’t always work that way. But often, it does.

This week, however, it didn’t. I arrived at the computer determined to work on a blog post and I couldn’t manage to crank out more than a paragraph or two. And then I got frustrated. And then I got angry. And this happened three days in a row.

I said to my boyfriend,  “Maybe I’ve said all I want to say in my blog posts already. Maybe that’s it.”

“No way,” he said. “I don’t believe that.”

And I didn’t believe it either. But something was off, very off, and it made me panicky.

And I’ve been here before — maybe not recently in relation to blog posts, but in relation to other things. Like my novels. Like my relationships. Like cleaning the house, or taking that trip I’d planned. That place where I think that something is supposed to be happening and it shouldn’t be so hard, but it’s terribly, terribly hard. It’s a feeling of spinning my wheels in mud and just getting further entrenched. A feeling of doing and doing and nothing actually getting done.

I call it “the spin cycle.”

I found myself staring out the window instead of looking at the computer screen as I tried to write the blog post, and I realized my body, in its infinite wisdom, was pointing me to the fact that it was not time to write, it was time to be. Regardless of how “behind schedule” I was.

So, I went to the sofa and I lay down, staring at the ceiling for a while. And I began to relax. And I began to get it.

This time around in the spin cycle, here’s what I’ve learned:

1) When I feel this way, more often than not there is some type of resistance going on. Resistance to what is: a sure route to insanity. What have I been resisting this week? What’s the reality of this week?

Well, my parents came to visit one week ago and left today. And I had a freelance project I was working on in addition to my usual daily routine.

But I didn’t factor any of this in and kept right on with my “usual” schedule. I didn’t factor in the fact that I’m an introvert and I need alone time to recharge and I wasn’t getting much of it this week. I didn’t factor in the extra hours and toll on my energy the freelance project took.

The reality of my personal energy: I am a finite being with limited energy, much as I fantasize about being able to “do it all,” seamlessly.

The reality of time: There are 24 hours in a day.

2) When something that is usually enjoyable and do-able feels really hard, it is not a sign to step it up and push it harder. It is a sign to step back and ease up and ask what is going on.

But my mind will tell me I need to keep pushing and that easing up is a sign of weakness and a lack of discipline and commitment. This is what my mind does, and how it thwarts my need for self-care. But it is a lie.

How do I know it’s a lie? Because of the way it feels. If stepping it up and pushing harder were the truth in this case, it would feel challenging but expansive, like doing it was helping me grow. But that’s not how it felt. It felt like pushing myself to do it was diminishing me. (Interestingly, I kept getting an image of myself writing on a tiny notebook with a tiny flashlight inside of a tiny black tent, my legs bursting out of the flaps like Alice in Wonderland after she drank the potion that turned her into a giant.)

So, after I lay on the couch for half an hour or so, allowing myself to space out (and giving myself full permission NOT to write the blog post), I realized that writing just one paragraph of a blog post would actually feel good. And so what if I am “usually” able to write more than that? Different week, different guidelines. I went to the computer, wrote one paragraph, and then, as it turned out, I wrote the whole darned thing.

Which brings me to the third thing I learned, this time around in the spin cycle:

3) When I keep trying to get something done and it’s just not happening, it may be because I’ve lost my connection with why I’m doing it at all.

“Because it’s time to publish a blog post” was not enough motivation for me to write one when my creative well was empty and I was in spin. When I’m in that space, I’m like a ship without a rudder. Doing for the sake of doing is meaningless if I’m totally out of touch with why I’m doing it. My “why” is what propels me into inspired action.

As it turned out, giving myself what I really needed — a time-out — connected me back to my “why”.  And my “why” led me right back to writing the blog post that had felt so impossible to write only hours earlier.

What are your ways of dealing with “the spin cycle”? I’d love to hear your thoughts in the comments.

Work With Me: Do you need some support in practicing better self-care? I’d love to help. See if we might be a good fit, here.

Image is “Outlook” © Guyerwood | Dreamstime Stock Photos

Pausing is not the same as stopping

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Sometimes it is incredibly, excruciatingly hard for me to step away from something, when stepping away is exactly what I need to do.

Step away from that phone call that is not going anywhere and sucking up a lot of time.

Step away from my novel when I keep forcing it even though I’m beyond frustrated and realize I have gotten so far away from the heart of the story that I have no investment in what I’m writing.

Step away from the problem I’m desperately trying to solve (when it’s becoming more and more obvious that the mind that created the problem is not the one that can solve it).

Step away from the internet. Because, it’s the internet. And I need sizeable breaks from it if I’m going to remain sane.

I think one of the reasons it’s hard for me to step away is because of the idea that I am supposed to tackle things. Take control of them, wrestle them to the ground, and force them to cry uncle. This is the way I was taught to solve problems when I was very small, and, even though I’ve never been very good at it,  it’s deeply engrained in me.

Only, sometimes — often — it just isn’t effective. There’s a point where I’m trying so hard to control the outcome of something that I am way too emotional to be effective. It’s at this point that pressing the pause button can be so essential.

But there’s another reason it’s hard for me to step away. It’s because of trust, or the lack of it. Allowing myself to step away means I am trusting that I will get back to whatever it is I’m struggling with — whether it’s a phone conversation or a tough scene in my novel.

And this kind of trust takes some practice to cultivate. I’ve been working with this for years and yet I can still go way too far out of fear.

We can never solve an internal problem by changing an external circumstance. If something within me feels out of control, no amount of controlling the external world will change that. This is the recipe for compulsion and, eventually, addiction. I’ve got to get back into balance within myself before I meet the world again.

This is why I suggest to my coaching clients that they not make huge decisions when they’re feeling intense emotions. We don’t know what the truth is for us until we come back to center. Our emotions are messengers, but they’re often not the message. (Extreme anger at your boss may just be saying, hey, let’s take a look at what’s happening here, not hey, let’s quit!)

So we’ve got to make it okay for ourselves to step away when we’re getting into a place that feels out of balance — no matter how important we’re making what we’re doing. Stepping away for now does not mean stopping altogether — in fact, it can mean letting another part of us — our subconscious — take the wheel for a while.

So, how do we do this?

1) If you’re struggling with something you’re creating (a painting, a novel, a website) and you’re ready to take a knife to the canvas or put your fist through the computer screen, know you’ve reached that point where you need a little less perspiration and a little more inspiration.

I know, I know, there’s that awful saying about how creating is one percent inspiration and 99% perspiration. Please. I don’t believe we need to feel inspired all the time to create — inspiration often comes in the course of creating, and some days it doesn’t come at all — but if, in the long haul, you’re only feeling one-percent inspired, you need more inspiration. If the whole thing feels like a struggle every step of the way, you’re forgetting how important it is to fill your creative well.

2) If you’re having a really hard time in several areas of your life (if you’re in what we Martha Beck life coaches refer to as “Square One”, where you’re going through a massive identity shift and you don’t know what the hell is happening), realize you may need to move much more slowly.

You may need to take more time-outs. You need to practice really good self-care during these times. If you’re in Square One, the question is never “how can I get out of Square One?” but “how can I make it okay to go slow?” (I love Kristin Neff’s guided meditations on self-compassion for these times, and all times, really.)

3) Know the point at which you are getting in your own way. See if you can step outside of your emotional self and be the observer. What do you look like when you’re in need of pressing the pause button? What happens with your body, your behavior?

A few years ago, I was walking home in a seriously foul mood, and a car rolled through the stop instead of letting me cross the street. I actually reached out and hit the back of the car as I walked behind it. Feeling the sting of the hot metal on my fingers (it was like a 100-degree day, which was part of why I was ready to maim), I knew I’d crossed one of my personal boundaries into nutso territory, territory I did not want to stay in. It was time for me to stop wrestling and take a time out. Know these places in yourself, and find ways to clue yourself in to when you’re getting into this territory. Hopefully you will not have to slap a defenseless Honda Civic to know you’ve entered “that zone.”

4) Above all, cultivate trust in yourself. Take baby steps. If you’d normally force yourself through something to the point of frustration, try stepping back even five minutes before you usually would.

One of my clients recently made the decision, for a number of reasons, to take a month off from her artwork. (Namely, because it was feeling too much like art-WORK. She said she didn’t want to return to it until it felt like art-PLAY. I love this!) She was afraid a month was too long, but she felt like she needed it. The need for the break felt like it was coming from her intuition, not from a place of fear. It felt deeply right.

A week into the month off, she emailed me. As of today, she said, I am back to my art-PLAY. It turned out she didn’t need an entire month off after all. Something in her was more than willing to return to creating when it was ready. Now that’s self-trust.

For an article on a similar theme, check out Practicing Reverent Curiosity.

Image is “Reflected Stop Sign” © Vladimir Zanadvorov | Dreamstime Stock Photos

Taking action on what you know

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One thing that I really like to drive home to my coaching clients is the importance of knowing ourselves.

I mean, really, really knowing ourselves — and particularly, the things we have a tendency to do that create chaos and disconnection for us.

Because very often, we know what doesn’t work for us, but we do it anyway.

Particularly if you are highly sensitive or an introvert, or both, the “general way” our society does things may not work for you. But it’s easy to toss away our particular, unique self-understanding when we convince ourselves that “everybody else” seems to be living, well, differently.

When we’ve been through the hell of learning something that brings us to our knees and connects us with our core (or, to put it another way, our essential self), we need to actually own that and act from what we know.

I call this acting from exquisite self-knowledge.

It is powerful to put this stuff into action. And you can often tell when you’re not putting it into action, by the way you feel.

This is true on both smaller points and large ones.

Like today, I was writing in my journal and I was completely caught up in the flow. As I’ve written about before, when my journal is truly calling to me, I have got to heed that call. Journaling has been, for many years now, the way I process and ultimately integrate what’s happening for me. It is my practice. If I don’t do it — especially when it’s really calling to me — I keep spinning my wheels and I don’t move forward.

But: I get really antsy and am easily distracted when I can feel something big about to come through in my journal. And I have a tendency to sabotage these “hardcore” journaling sessions by reacting to stuff in the external environment.

Today I actually grabbed my iPad in the middle of my journaling session — even though it was going brilliantly — and searched for youtube videos on Jaws 2. (Okay, not even a good movie, but I’ve been feeling oddly nostalgic for it lately.)

Before I knew it, I was watching shark attack videos which were obviously fake (and why in the heck would I do that to my HSP self?), and then somehow I was watching videos of cats stuffing themselves into small boxes (how do I always end up there?).

So I moved away from the iPad and picked the journaling session back up. A couple minutes later, the phone rang. I am like one of Pavlov’s dogs when the phone rings. I don’t know why I think I have to get up and see who it is. But get up I did.

It was a friend of mine who I really wanted to talk to. Normally, when the caller ID comes up as a close friend or a family member, it’s almost impossible for me not to pick up. I pick up as a kind of reflex. I figure I’ll make up the journaling time later; I tell myself the call will only take a couple minutes and then I’ll get back to my writing.

But experience has shown, this isn’t what happens. I get sucked into the call and when I get off the phone it’s hard to get my flow back. I put the journaling off. I toss away my practice. And I feel disconnected from myself.

So today, I didn’t pick up the phone. Why? Because I finally know myself well enough to know that if I pick up the phone during sacred journaling time, I will regret it.

And I have to tell you, acting on that exquisite self-knowledge felt really powerful. It felt congruent.

This might sound like a small point, not picking up the phone during a journaling session, but all these seemingly “small” points add up over the long haul. When I toss the needs of my essential self away on a regular basis and tell myself these “little things” don’t matter, I end up disconnected from myself, over time, in a big way.

There are larger points, too — like going back, out of fear or familiarity, to that job or that relationship we just know in our gut isn’t good for us. Or saying “yes” to something that we know from experience we simply have no desire to do.

None of this is about “doing it right” all the time or never making choices that don’t feel good to us. Part of the process of knowing ourselves is learning through trial and error what doesn’t work for us.

And sometimes, like with my Pavlovian response to the ringing phone, we have a very long learning curve. But when we do finally learn, it’s important to own what we know and take action on that knowing.

Try this: Make a habit of keeping a written record of things you’ve learned — the hard way — about yourself but have a tendency to forget. (I call this my Exquisite Self-Knowledge List.) Then check in with it from time to time, particularly if you’re feeling crappy and you’re not sure why.

What do you absolutely know about yourself that you might put on your own list? I’d love to hear from you.

And: Speaking of putting pen to paper, Thursday, Feb. 21, is the last day to register for the next session of Jenna Avery’s Just Do the Writing Accountability Circle. I’ve been a member of this group for going on a year and a half, and I’m also one of the coaches. You can read about the strides I’ve made with my writing in this group here. We’d love to have you join us! You can check it out here.

Image is “Doves” © Cook | Dreamstime.com